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Today's Stichomancy for Spike Lee

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Heritage of the Desert by Zane Grey:

cliff gate with Dave and the pack-horses, a dull ache in his heart; for amid the cheering crowd of children and women who bade them good-bye he had caught the wave of Mescal's hand and a look of her eyes that would be with him always. What might happen before he returned, if he ever did return! For he knew now, as well as he could feel Silvermane's easy stride, that out there under the white glare of desert, the white gleam of the slopes of Coconina, was wild life awaiting him. And he shut his teeth, and narrowed his eyes, and faced it with an eager joy that was in strange contrast to the pang in his breast.

That morning the wind dipped down off the Vermillion Cliffs and whipped west; there was no scent of river-water, and Hare thought of the fatality


The Heritage of the Desert
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Juana by Honore de Balzac:

comprehend our past, but there will never be enough to express our coming happiness. Lay your hand upon my heart. Feel how it beats. Let us promise before God, who sees and hears us, to be faithful to each other throughout our lives. Here, take my ring--and give me yours."

"Give you my ring!" she said in terror.

"Why not?" asked Montefiore, uneasy at such artlessness.

"But our holy father the Pope has blessed it; it was put upon my finger in childhood by a beautiful lady who took care of me, and who told me never to part with it."

"Juana, you cannot love me!"

"Ah!" she said, "here it is; take it. You, are you not another

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Twelve Stories and a Dream by H. G. Wells:

really understood and knew. He suddenly began plucking out the gold they were thrusting upon him, and shouting out at them to prevent their giving him more. "'I don't WANT yer gold,' I said. 'I 'aven't done yet. I'm not going. I want to speak to that Fairy Lady again.' I started off to go after her and they held me back. Yes, stuck their little 'ands against my middle and shoved me back. They kept giving me more and more gold until it was running all down my trouser legs and dropping out of my 'ands. 'I don't WANT yer gold,' I says to them, 'I want just to speak to the Fairy Lady again.'"

"And did you?"

"It came to a tussle."

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from On the Duty of Civil Disobedience by Henry David Thoreau:

to sustain the unjust government which makes the war; is applauded by those whose own act and authority he disregards and sets at naught; as if the state were penitent to that degree that it hired one to scourge it while it sinned, but not to that degree that it left off sinning for a moment. Thus, under the name of Order and Civil Government, we are all made at last to pay homage to and support our own meanness. After the first blush of sin comes its indifference; and from immoral it becomes, as it were, unmoral, and not quite unnecessary to that life which we have made.

The broadest and most prevalent error requires the most


On the Duty of Civil Disobedience