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Today's Stichomancy for Spike Lee

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Puck of Pook's Hill by Rudyard Kipling:

that siege, if I have to share my last loaf with thee; and that is more than Odo would have done when we starved out him and Mortain."

'Then Fulke sat up and looked long and cunningly at De Aquila.

"'By the Saints," said he, "why didst thou not say thou wast on the Duke Robert's side at the first?"

"'Am I?" said De Aquila.

'Fulke laughed and said, "No man who serves King Henry dare do this much to his messenger. When didst thou come over to the Duke? Let me up and we can smooth it out together." And he smiled and becked and winked.

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Child of Storm by H. Rider Haggard:

any other woman."

"The question is, Saduko, whether she would rather die with you than live with any other man. Does she say so?"

"Inkoosi, Mameena's thought works in the dark; it is like a white ant in its tunnel of mud. You see the tunnel which shows that she is thinking, but you do not see the thought within. Still, sometimes, when she believes that no one beholds or hears her"--here I bethought me of the young lady's soliloquy over my apparently senseless self--"or when she is surprised, the true thought peeps out of its tunnel. It did so the other day, when I pleaded with her after she had heard that I killed the buffalo with the cleft horn.


Child of Storm
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Emma McChesney & Co. by Edna Ferber:

activity. The machinery of her day, ordinarily as noiseless and well ordered as a thing on ball bearings, now rasped, creaked, jerked, stood still, jolted on again. A bustling clerk or stenographer, entering with paper or memorandum, would find her bent over her desk, pencil in hand, absorbed in a rough drawing that seemed to bear no relation to the skirt of the day. The margin of her morning paper was filled with queer little scrawls by the time she reached the office. She drew weird lines with her fork on the table-cloth at lunch. These hieroglyphics she covered with a quick hand, like a bashful schoolgirl, when any one peeped.


Emma McChesney & Co.
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Bunner Sisters by Edith Wharton:

Already, in the watches of the night, Ann Eliza had been tormented by that same question--who was to pay the doctor?--and a few days before she had temporarily silenced it by borrowing twenty dollars of Miss Mellins. The transaction had cost her one of the bitterest struggles of her life. She had never borrowed a penny of any one before, and the possibility of having to do so had always been classed in her mind among those shameful extremities to which Providence does not let decent people come. But nowadays she no longer believed in the personal supervision of Providence; and had she been compelled to steal the money instead of borrowing it, she would have felt that her conscience was the only tribunal before