| The first excerpt represents the past or something you must release, and is drawn from Lady Chatterley's Lover by D. H. Lawrence: now, and dying from day to day. Home was a place you lived in, love was
a thing you didn't fool yourself about, joy was a word you applied to a
good Charleston, happiness was a term of hypocrisy used to bluff other
people, a father was an individual who enjoyed his own existence, a
husband was a man you lived with and kept going in spirits. As for sex,
the last of the great words, it was just a cocktail term for an
excitement that bucked you up for a while, then left you more raggy
than ever. Frayed! It was as if the very material you were made of was
cheap stuff, and was fraying out to nothing.
All that really remained was a stubborn stoicism: and in that there was
a certain pleasure. In the very experience of the nothingness of life,
 Lady Chatterley's Lover |
The second excerpt represents the present or the deciding factor of the moment, and is drawn from Old Indian Legends by Zitkala-Sa: smelling grass and cedar wood," answered the fawn.
"Say," interrupted Ikto, "will you be sure to cover me with a
great deal of dry grass and twigs? You will make sure that the
spots will be as brown as those you wear."
"Oh, yes. I'll pile up grass and willows once oftener than my
mother did."
"Now let us dig the hole, pull the grass, and gather sticks,"
cried Iktomi in glee.
Thus with his own hands he aids in making his grave. After
the hole was dug and cushioned with grass, Iktomi, muttering
something about brown spots, leaped down into it. Lengthwise, flat
|
The third excerpt represents the future or something you must embrace, and is drawn from Malbone: An Oldport Romance by Thomas Wentworth Higginson: with some desperate flirtation which had looked as if he would
carry it as far as gentlemen did under King Charles II. "How
does remorse begin?"
"Where you are beginning," said Kate.
"I do not perceive that," he answered. "My conscience seems,
after all, to be only a form of good-nature. I like to be
stirred by emotion, I suppose, and I like to study character.
But I can always stop when it is evident that I shall cause
pain to somebody. Is there any other motive?"
"In other words," said she, "you apply the match, and then turn
your back on the burning house."
|