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Today's Stichomancy for Stanley Kubrick

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Dust by Mr. And Mrs. Haldeman-Julius:

talked crops and politics and animals. There would be no thrills in this opening chapter and he, if not his wife, would be shaken.

Martin was mental, an incurable individualist who found himself sufficient unto himself. He was different from his neighbors in that he was always thinking, asking questions and pondering over his conclusions. He had convinced himself that each demand of the body was useless except the food that nourished it, the clothes that warmed it and the sleep that repaired it. He hated soft things and the twist in his mind that was Martin proved to him their futility. Love? It was an empty dream, a shell that fooled. Its joys were fleeting. There was but one thing worth while and

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Troll Garden and Selected Stories by Willa Cather:

Come with me into the music room. You remember the musical setting I once made you for the Lay of the Jabberwock? I was trying it over the other night, long after you were in bed, and I decided it was quite as fine as the Erl-King music. How I wish I could give you some of the cake that Alice ate and make you a little girl again. Then, when you had got through the glass door into the little garden, you could call to me, perhaps, and tell me all the fine things that were going on there. What a pity it is that you ever grew up!" he added, laughing; and Imogen, too, was thinking just that.

At dinner that evening, Flavia, with fatal persistence,


The Troll Garden and Selected Stories
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Moll Flanders by Daniel Defoe:

Will you allow no affection, no love on my side, where there has been so much on your side? Have I made you no returns? Have I given no testimony of my sincerity and of my passion? Are the sacrifices I have made of honour and modesty to you no proof of my being tied to you in bonds too strong to be broken?'

'But here, my dear,' says he, 'you may come into a safe station, and appear with honour and with splendour at once, and the remembrance of what we have done may be wrapt up in an eternal silence, as if it had never happened; you shall always have my respect, and my sincere affection, only then it shall


Moll Flanders
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from To-morrow by Joseph Conrad:

country that got into them and wouldn't let them rest; so that no woman yet born could hold a Gam- bucino for more than a week. That's what the song says. It's all about a pretty girl that tried hard to keep hold of a Gambucino lover, so that he should bring her lots of gold. No fear! Off he went, and she never saw him again."

"What became of her?" she breathed out.

"The song don't tell. Cried a bit, I daresay. They were the fellows: kiss and go. But it's the looking for a thing--a something . . . Sometimes


To-morrow