Today's Stichomancy for Stanley Kubrick

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Virginian by Owen Wister:

in the presence of us outsiders; and there came into my memory the Bengal tiger at a trained-animal show I had once seen.

"You had some trouble," repeated the Judge.

"Well, there was a time when they maybe wanted to have notions. They're good boys." And he smiled a very little.

Contentment increased in the Judge's face. "Trampas a good boy too?"

But this time the Bengal tiger did not smile. He sat with his eye fastened on his employer.

The Judge passed rather quickly on to his next point. "You've brought them all back, though, I understand, safe and sound,

The Virginian

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Essays & Lectures by Oscar Wilde:

picturesque accounts given by Herodotus of the customs of savage tribes. To take one instance, which bears a good deal on modern questions, we find in the works of this great traveller the gradual and progressive steps in the development of the family life clearly manifested in the mere gregarious herding together of the Agathyrsi, their primitive kinsmanship through women in common, and the rise of a feeling of paternity from a state of polyandry. This tribe stood at that time on that borderland between umbilical relationship and the family which has been such a difficult point for modern anthropologists to find.

The ancient authors, however, are unanimous in insisting that the

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Democracy In America, Volume 2 by Alexis de Toqueville:

English writers, and take them every day for their models. But such is not the case with the bulk of the population, which is more immediately subjected to the peculiar causes acting upon the United States. It is not then to the written, but to the spoken language that attention must be paid, if we would detect the modifications which the idiom of an aristocratic people may undergo when it becomes the language of a democracy.

Englishmen of education, and more competent judges than I can be myself of the nicer shades of expression, have frequently assured me that the language of the educated classes in the United States is notably different from that of the educated

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from She Stoops to Conquer by Oliver Goldsmith:

MISS HARDCASTLE. (after a pause). But you have not been wholly an observer, I presume, sir: the ladies, I should hope, have employed some part of your addresses.

MARLOW. (Relapsing into timidity.) Pardon me, madam, I--I--I--as yet have studied--only--to--deserve them.

MISS HARDCASTLE. And that, some say, is the very worst way to obtain them.

MARLOW. Perhaps so, madam. But I love to converse only with the more grave and sensible part of the sex. But I'm afraid I grow tiresome.

MISS HARDCASTLE. Not at all, sir; there is nothing I like so much as grave conversation myself; I could hear it for ever. Indeed, I have

She Stoops to Conquer