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Today's Stichomancy for Stephen Colbert

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from On the Duty of Civil Disobedience by Henry David Thoreau:

one does not remain inert to make way for the other, but both obey their own laws, and spring and grow and flourish as best they can, till one, perchance, overshadows and destroys the other. If a plant cannot live according to nature, it dies; and so a man.

The night in prison was novel and interesting enough. The prisoners in their shirtsleeves were enjoying a chat and the evening air in the doorway, when I entered. But the jailer said, "Come, boys, it is time to lock up"; and so they dispersed, and I heard the sound of their steps returning into the hollow apartments. My room-mate was


On the Duty of Civil Disobedience
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Life in the Iron-Mills by Rebecca Davis:

looked at a rare mosaic in the morning; only the man was the more amusing study of the two.

"Are you answered? Why, May, look at him! 'De profundis clamavi.' Or, to quote in English, 'Hungry and thirsty, his soul faints in him.' And so Money sends back its answer into the depths through you, Kirby! Very clear the answer, too!--I think I remember reading the same words somewhere: washing your hands in Eau de Cologne, and saying, 'I am innocent of the blood of this man. See ye to it!'"

Kirby flushed angrily.

"You quote Scripture freely."


Life in the Iron-Mills
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Chance by Joseph Conrad:

an intense dislike for the job, beating about the bush and only puzzling Captain Anthony, the providential man, who, if he expected the girl to appear at any moment, must have been on tenterhooks all the time, and beside himself with impatience to see the back of his brother-in-law. How was it that he had not got rid of Fyne long before in any case? I don't mean by actually throwing him out of the window, but in some other resolute manner.

Surely Fyne had not impressed him. That he was an impressionable man I could not doubt. The presence of the girl there on the pavement before me proved this up to the hilt--and, well, yes, touchingly enough.


Chance
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Memoir of Fleeming Jenkin by Robert Louis Stevenson:

first to come from the large low pulley, but when the engines stopped, the noise continued; and we now imagine it is something slipping down the cable, and the pulley but acts as sounding-board to the big fiddle. Whether it is only an anchor or one of the two other cables, we know not. We hope it is not the cable just laid down.

'June 19.

'10 A.M. - All our alarm groundless, it would appear: the odd noise ceased after a time, and there was no mark sufficiently strong on the large cable to warrant the suspicion that we had cut another line through. I stopped up on the look-out till three in