| The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Around the World in 80 Days by Jules Verne: They soon reached a small hut, near which, enclosed within
some high palings, was the animal in question. An Indian came
out of the hut, and, at their request, conducted them within
the enclosure. The elephant, which its owner had reared, not for
a beast of burden, but for warlike purposes, was half domesticated.
The Indian had begun already, by often irritating him, and feeding
him every three months on sugar and butter, to impart to him
a ferocity not in his nature, this method being often employed
by those who train the Indian elephants for battle. Happily,
however, for Mr. Fogg, the animal's instruction in this direction
had not gone far, and the elephant still preserved his natural
 Around the World in 80 Days |
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Lily of the Valley by Honore de Balzac: horribly annoyed. To be treated thus where once the very flowers
welcomed me, where the steps of the portico had a voice, where my
memory clothed with poetry the balconies, the fountains, the
balustrades, the trees, the glimpses of the valleys! to be hated where
I once was loved--the thought was intolerable to me. So, from the
first, my mind was made up.
Alas! alas! was this the end of the keenest love that ever entered the
heart of man? To the eyes of strangers my conduct might be
reprehensible, but it had the sanction of my own conscience. It is
thus that the noblest feelings, the sublimest dramas of our youth must
end. We start at dawn, as I from Tours to Clochegourde, we clutch the
 The Lily of the Valley |
| The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Marriage Contract by Honore de Balzac: acted like those lovers who take refuge in a cottage on the shores
of some lake for a year or two, resolved to kill themselves at
last; dying thus in all the glory of their illusions and their
love. I have always thought such persons infinitely sensible.
You have known nothing of my pleasures or my sacrifices. The
greatest joy of all was to hide from the one beloved the cost of
her desires. I can reveal these secrets to you now, for when you
hold this paper, heavy with love, I shall be far away. Though I
lose the treasures of your gratitude, I do not suffer that
contraction of the heart which would disable me if I spoke to you
of these matters. Besides, my own beloved, is there not a tender
|
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Dead Souls by Nikolai Vasilievich Gogol: money passed into his pockets. The system employed was a good one: he
did not steal, he merely used. And every one of us at times does the
same: one man with regard to Government timber, and another with
regard to a sum belonging to his employer, while a third defrauds his
children for the sake of an actress, and a fourth robs his peasantry
for the sake of smart furniture or a carriage. What can one do when
one is surrounded on every side with roguery, and everywhere there are
insanely expensive restaurants, masked balls, and dances to the music
of gipsy bands? To abstain when every one else is indulging in these
things, and fashion commands, is difficult indeed!
Chichikov was for setting forth again, but the roads had now got into
 Dead Souls |