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Today's Stichomancy for Stephen Colbert

The first excerpt represents the past or something you must release, and is drawn from Bucolics by Virgil:

For him, on whom his parents have not smiled, Gods deem not worthy of their board or bed.

ECLOGUE V

MENALCAS MOPSUS

MENALCAS Why, Mopsus, being both together met, You skilled to breathe upon the slender reeds, I to sing ditties, do we not sit down Here where the elm-trees and the hazels blend?

MOPSUS You are the elder, 'tis for me to bide

The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Tapestried Chamber by Walter Scott:

building seemed to show that they had been raised more for defence than ostentation.

Delighted with the partial glimpses which he obtained of the castle through the woods and glades by which this ancient feudal fortress was surrounded, our military traveller was determined to inquire whether it might not deserve a nearer view, and whether it contained family pictures or other objects of curiosity worthy of a stranger's visit, when, leaving the vicinity of the park, he rolled through a clean and well-paved street, and stopped at the door of a well-frequented inn.

Before ordering horses, to proceed on his journey, General Browne

The third excerpt represents the future or something you must embrace, and is drawn from Babbitt by Sinclair Lewis:

the standpoint of Miss Ida Putiak, an old bore who had to be endured as the penalty attached to eating a large dinner.

"Dearie, you aren't going to go and get peevish, are you?"

She spoke pertly. He wanted to spank her. He brooded, "I don't have to take anything off this gutter-pup! Darn immigrant! Well, let's get it over as quick as we can, and sneak home and kick ourselves for the rest of the night."

He snorted, "Huh? Me peevish? Why, you baby, why should I be peevish? Now, listen, Ida; listen to Uncle George. I want to put you wise about this scrapping with your head-barber all the time. I've had a lot of experience with employees, and let me tell you it doesn't pay to antagonize--"

At the drab wooden house in which she lived he said good-night briefly and