Today's Stichomancy for Stephen Hawking
| The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Misalliance by George Bernard Shaw: JOHNNY. Thank you. Well, if a chump may have an opinion, I should
put it at this. You make, I suppose, ten pounds a night off your own
bat, Miss Lina?
LINA. _[scornfully]_ Ten pounds a night! I have made ten pounds a
minute.
JOHNNY. _[with increased respect]_ Have you indeed? I didnt know:
youll excuse my mistake, I hope. But the principle is the same. Now
I trust you wont be offended at what I'm going to say; but Ive thought
about this and watched it in daily experience; and you may take it
from me that the moment a woman becomes pecuniarily independent, she
gets hold of the wrong end of the stick in moral questions.
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The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Professor by Charlotte Bronte: enjoyed, undisturbed, the treble pleasure of having her near me,
hearing the sound of her voice--a sound sweet and satisfying in
my ear--and looking, by intervals, at her face: of this last
privilege, I chiefly availed myself when I found fault with an
intonation, a pause, or an emphasis; as long as I dogmatized, I
might also gaze, without exciting too warm a flush.
"Enough," said I, when she had gone through some half dozen pages
(a work of time with her, for she read slowly and paused often to
ask and receive information)--"enough; and now the rain is
ceasing, and I must soon go." For indeed, at that moment,
looking towards the window, I saw it all blue; the thunder-clouds
 The Professor |
| The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Message by Honore de Balzac: and love. Then, with all the circumspection demanded in such
matters, we proceeded naturally to the topic of our lady-loves.
Young as we both were, we still admired "the woman of a certain
age," that is to say, the woman between thirty-five and forty.
Oh! any poet who should have listened to our talk, for heaven
knows how many stages beyond Montargis, would have reaped a
harvest of flaming epithet, rapturous description, and very
tender confidences. Our bashful fears, our silent interjections,
our blushes, as we met each other's eyes, were expressive with an
eloquence, a boyish charm, which I have ceased to feel. One must
remain young, no doubt, to understand youth.
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The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Arizona Nights by Stewart Edward White: Buck Johnson stared, recalling the phrases of the letter,
recalling the words of his foreman, Jed Parker. "It's too
lonesome for me," "I'm afraid," "I hate it all," "I'd go crazy
here," "The desert would make anyone bad," "The country is
awful." And the musing voice of the old cattleman, "I wonder if
she'll like the country!" They reiterated themselves over and
over; and always as refrain his own confident reply, "Like the
country? Sure! Why SHOULDN'T she?"
And then he recalled the summer just passing, and the woman
who had made no fuss. Chance remarks of hers came back to him,
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