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Today's Stichomancy for Steve McQueen

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Voyage of the Beagle by Charles Darwin:

immediate appearance of plants not occurring in the neighbourhood, on the borders of any track that leads to a newly- constructed hovel. In another part he says, [8] "ces chevaux (sauvages) ont la manie de preferer les chemins, et le bord des routes pour deposer leurs excremens, dont on trouve des monceaux dans ces endroits." Does this not partly explain the circumstance? We thus have lines of richly manured land serving as channels of communication across wide districts.

Near the Guardia we find the southern limit of two European plants, now become extraordinarily common. The fennel in great profusion covers the ditch-banks in the


The Voyage of the Beagle
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Legend of Sleepy Hollow by Washington Irving:

of fun and arrogance From his Herculean frame and great powers of limb he had received the nickname of BROM BONES, by which he was universally known. He was famed for great knowledge and skill in horsemanship, being as dexterous on horseback as a Tartar. He was foremost at all races and cock fights; and, with the ascendancy which bodily strength always acquires in rustic life, was the umpire in all disputes, setting his hat on one side, and giving his decisions with an air and tone that admitted of no gainsay or appeal. He was always ready for either a fight or a frolic; but had more mischief than ill-will in his composition; and with all his overbearing roughness, there was a strong dash of waggish


The Legend of Sleepy Hollow
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Reign of King Edward the Third by William Shakespeare:

[Enter Artois.]

ARTOIS. Rescue, king Edward! rescue for thy son!

KING EDWARD. Rescue, Artois? what, is he prisoner, Or by violence fell beside his horse?

ARTOIS. Neither, my Lord: but narrowly beset With turning Frenchmen, whom he did pursue, As tis impossible that he should scape, Except your highness presently descend.

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Flatland: A Romance of Many Dimensions by Edwin A. Abbot:

what perhaps should have been laid down at the beginning as a distinct and fundamental proposition -- that every human being in Flatland is a Regular Figure, that is to say of regular construction. By this I mean that a Woman must not only be a line, but a straight line; that an Artisan or Soldier must have two of his sides equal; that Tradesmen must have three sides equal; Lawyers (of which class I am a humble member), four sides equal, and generally, that in every Polygon, all the sides must be equal.

The size of the sides would of course depend upon the age of the individual. A Female at birth would be about an inch long, while a tall adult Woman might extend to a foot. As to the Males


Flatland: A Romance of Many Dimensions