| The first excerpt represents the past or something you must release, and is drawn from Aeneid by Virgil: And treads the mazes of his former track.
He winds the wood, and, list'ning, hears the noise
Of tramping coursers, and the riders' voice.
The sound approach'd; and suddenly he view'd
The foes inclosing, and his friend pursued,
Forelaid and taken, while he strove in vain
The shelter of the friendly shades to gain.
What should he next attempt? what arms employ,
What fruitless force, to free the captive boy?
Or desperate should he rush and lose his life,
With odds oppress'd, in such unequal strife?
Aeneid |
The second excerpt represents the present or the deciding factor of the moment, and is drawn from 20,000 Leagues Under the Sea by Jules Verne: but in the upper part of its muzzle). Then, taking a spring,
he threw himself upon us.
The pinnace could not avoid the shock, and half upset, shipped at least
two tons of water, which had to be emptied; but, thanks to the coxswain,
we caught it sideways, not full front, so we were not quite overturned.
While Ned Land, clinging to the bows, belaboured the gigantic animal with
blows from his harpoon, the creature's teeth were buried in the gunwale,
and it lifted the whole thing out of the water, as a lion does a roebuck.
We were upset over one another, and I know not how the adventure would
have ended, if the Canadian, still enraged with the beast, had not struck it
to the heart.
20,000 Leagues Under the Sea |
The third excerpt represents the future or something you must embrace, and is drawn from Cratylus by Plato: Athene.
HERMOGENES: What other appellation?
SOCRATES: We call her Pallas.
HERMOGENES: To be sure.
SOCRATES: And we cannot be wrong in supposing that this is derived from
armed dances. For the elevation of oneself or anything else above the
earth, or by the use of the hands, we call shaking (pallein), or dancing.
HERMOGENES: That is quite true.
SOCRATES: Then that is the explanation of the name Pallas?
HERMOGENES: Yes; but what do you say of the other name?
SOCRATES: Athene?
|
