Tarot Runes I Ching Stichomancy Contact
Store Numerology Coin Flip Yes or No Webmasters
Personal Celebrity Biorhythms Bibliomancy Settings

Today's Stichomancy for Steven Spielberg

The first excerpt represents the past or something you must release, and is drawn from Faraday as a Discoverer by John Tyndall:

ashamed of it as it stands. Glimpses of Faraday's character and gleams of his discoveries are there to be found which will be of interest to humanity to the end of time.

John Tyndall. Hind Head, December, 1893.

[Note.--It was, I believe, my husband's intention to substitute this Preface, written a few days before his death, for all former Prefaces. As, however, he had not the opportunity of revising the old prefatory pages himself, they have been allowed to remain just as they stood in the last edition.

The second excerpt represents the present or the deciding factor of the moment, and is drawn from Men of Iron by Howard Pyle:

speech that he spake anon. It is anxiety for my father's sake and my mother's sake that I feel, for truly there are great matters for them pending upon this fight. Ne'theless, I do know that God will not desert me in my cause, for verily my father is no traitor."

"But the Earl of Alban," said the Prince, gravely, "is reputed one of the best-skilled knights in all England; moreover, he is merciless and without generosity, so that an he gain aught advantage over thee, he will surely slay thee."

"I am not afraid, my Lord," said Myles, still calmly and composedly.


Men of Iron
The third excerpt represents the future or something you must embrace, and is drawn from Sarrasine by Honore de Balzac:

from the music-room; as she led him, she watched with some anxiety the slow movement of his feeble feet. They walked painfully across the boudoir to a door hidden in the hangings. Marianina knocked softly. Instantly a tall, thin man, a sort of familiar spirit, appeared as if by magic. Before entrusting the old man to this mysterious guardian, the lovely child, with deep veneration, kissed the ambulatory corpse, and her chaste caress was not without a touch of that graceful playfulness, the secret of which only a few privileged women possess.

"/Addio, addio!/" she said, with the sweetest inflection of her young voice.

She added to the last syllable a wonderfully executed trill, in a very