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Today's Stichomancy for Steven Spielberg

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Lost Continent by Edgar Rice Burroughs:

A small door at one side of the room opened, and the poor creatures filed in and were ranged in a long line before the throne. Their backs were toward me. I saw only an occasional profile as now and then a bolder spirit among them turned to survey the apartment and the gorgeous assemblage of officers in their brilliant dress uniforms. They were profiles of young girls, and pretty, but horror was indelibly stamped upon them all. I shuddered as I contemplated their sad fate, and turned my eyes away.

I heard the master of ceremonies command them to prostrate themselves before the emperor, and the sounds as they went


Lost Continent
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Camille by Alexandre Dumas:

very young, and laughs at soon afterward.

For the rest, it was no credit to me to have got the better of this recollection, for I had completely lost sight of Marguerite, and, as I told you, when she passed me in the corridor of the Varietes, I did not recognise her. She was veiled, it is true; but, veiled though she might have been two years earlier, I should not have needed to see her in order to recognise her: I should have known her intuitively. All the same, my heart began to beat when I knew that it was she; and the two years that had passed since I saw her, and what had seemed to be the results of that separation, vanished in smoke at the mere touch of her


Camille
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Cousin Pons by Honore de Balzac:

sans le savoir/; suffice it to say that Mme. Cibot used to go to Mme. Fontaine's house in the Rue Vieille-du-Temple as regularly as frequenters of the Cafe Anglais drop in at that restaurant for lunch. Mme. Cibot, being a very old customer, often introduced young persons and old gossips consumed with curiosity to the wise woman.

The old servant who acted as provost marshal flung open the door of the sanctuary with no further ceremony than the remark, "It's Mme. Cibot.--Come in, there's nobody here."

"Well, child, what can bring you here so early of a morning?" asked the sorceress, as Mme. Fontaine might well be called, for she was seventy-eight years old, and looked like one of the Parcae.

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Pagan and Christian Creeds by Edward Carpenter:

persists in dying! Such cases, obviously, can only be countered by Faith, or something (whatever it may be) which restores courage, hope and energy to the mind. Nor need I point out that the situation is exactly the same among a vast number of 'patients' to-day. As to the value, in his degree, of the medicine-man many modern observers and students quite agree with the above.[2] Also as the present chapter is on Ritual Dancing it may not be out of place to call attention to the supposed healing of sick people in Ceylon and other places by Devil-dancing--the enormous output of energy and noise in the ritual possibly having the


Pagan and Christian Creeds