Today's Stichomancy for Steven Spielberg

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Jerusalem Delivered by Torquato Tasso:

And bore the brunt of all their fights and frays; But when we had performed and done the deed, At ease and leisure they divide the preys, We reaped naught but travel for our toil, Theirs was the praise, the realms, the gold, the spoil. LXVI "Yet all this season were we willing blind, Offended unrevenged, wronged but unwroken, Light griefs could not provoke our quiet mind, But now, alas! the mortal blow is stroken, Rinaldo have they slain, and law of kind,

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from A Woman of No Importance by Oscar Wilde:

he does not believe, that makes him bad. It is what he is.

GERALD. Mother, is it something you know of him? Something you actually know?

MRS. ARBUTHNOT. It is something I know.

GERALD. Something you are quite sure of?

MRS. ARBUTHNOT. Quite sure of.

GERALD. How long have you known it?

MRS. ARBUTHNOT. For twenty years.

GERALD. Is it fair to go back twenty years in any man's career? And what have you or I to do with Lord Illingworth's early life? What business is it of ours?

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Apology by Plato:

defiance, (ut non supplex aut reus sed magister aut dominus videretur esse judicum' (Cic. de Orat.); and the loose and desultory style is an imitation of the 'accustomed manner' in which Socrates spoke in 'the agora and among the tables of the money-changers.' The allusion in the Crito may, perhaps, be adduced as a further evidence of the literal accuracy of some parts. But in the main it must be regarded as the ideal of Socrates, according to Plato's conception of him, appearing in the greatest and most public scene of his life, and in the height of his triumph, when he is weakest, and yet his mastery over mankind is greatest, and his habitual irony acquires a new meaning and a sort of tragic pathos in the face of death. The facts of his life are summed up, and the features of his character are brought out as if

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Elixir of Life by Honore de Balzac:

the chamber of death, his whole soul brimming over with hideous selfishness. He found all his household busy there. "His lordship" was to lie in state to-morrow; all Ferrara would flock to behold the wonderful spectacle; and the servants were busy decking the room and the couch on which the dead man lay. At a sign from Don Juan all his people stopped, dumfounded and trembling.

"Leave me alone here," he said, and his voice was changed, "and do not return until I leave the room."

When the footsteps of the old servitor, who was the last to go, echoed but faintly along the paved gallery, Don Juan hastily