Today's Stichomancy for Steven Spielberg

immaculate air of this facade, a little worn by perpetual rubbing, gave the house a tone of severe propriety and estimable decency which would have driven a romanticist out of the neighborhood, had he happened to take lodgings over the way.

When a visitor had pulled the braided iron wire bell-cord which hung from the top of the pilaster of the doorway, and the servant-woman, coming from within, had admitted him through the side of the double- door in which was a small grated loop-hole, that half of the door escaped from her hand and swung back by its own weight with a solemn, ponderous sound that echoed along the roof of a wide paved archway and through the depths of the house, as though the door had been of iron.

motionless and shadowy, sitting with bowed head under the stars, was speaking in a low and dreamy tone--

". . . for where can we lay down the heaviness of our trouble but in a friend's heart? A man must speak of war and of love. You, Tuan, know what war is, and you have seen me in time of danger seek death as other men seek life! A writing may be lost; a lie may be written; but what the eye has seen is truth and remains in the mind!"

"I remember," said the white man, quietly. Arsat went on with mournful composure--

"Therefore I shall speak to you of love. Speak in the night. Speak before both night and love are gone--and the eye of day looks upon my

Tales of Unrest

labor of clearing the farm. In after years, Mr. Lincoln said that an ax "was put into his hands at once, and from that till within his twenty-third year he was almost constantly handling that most useful instrument--less, of course, in ploughing and harvesting seasons." At first the Lincolns and their seven or eight neighbors lived in the unbroken forest. They had only the tools and household goods they brought with them, or such things as they could fashion with their own hands. There was no sawmill to saw lumber. The village of Gentryville was not even begun. Breadstuff could be had only by sending young Abraham seven miles on horseback with a bag of corn to be ground in a hand

picture of Mr. Wardrop, of Torbane Hill, which you might palm off upon most laymen as a Rembrandt; and close by, you saw the white head of John Clerk, of Eldin, that country gentleman who, playing with pieces of cork on his own dining-table, invented modern naval warfare. There was that portrait of Neil Gow, to sit for which the old fiddler walked daily through the streets of Edinburgh arm in arm with the Duke of Athole. There was good Harry Erskine, with his satirical nose and upper lip, and his mouth just open for a witticism to pop out; Hutton the geologist, in quakerish raiment, and looking altogether trim and narrow, and as if he cared more about