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Today's Stichomancy for T. S. Eliot

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Walden by Henry David Thoreau:

one. It is the same whether a man eat, or drink, or cohabit, or sleep sensually. They are but one appetite, and we only need to see a person do any one of these things to know how great a sensualist he is. The impure can neither stand nor sit with purity. When the reptile is attacked at one mouth of his burrow, he shows himself at another. If you would be chaste, you must be temperate. What is chastity? How shall a man know if he is chaste? He shall not know it. We have heard of this virtue, but we know not what it is. We speak conformably to the rumor which we have heard. From exertion come wisdom and purity; from sloth ignorance and sensuality. In the student sensuality is a sluggish habit of mind. An unclean person


Walden
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Almayer's Folly by Joseph Conrad:

all, his only and lasting weakness. A very woman! In the sublime vanity of her kind she was thinking already of moulding a god from the clay at her feet. A god for others to worship. She was content to see him as he was now, and to feel him quiver at the slightest touch of her light fingers. And while her eyes looked sadly at the southern stars a faint smile seemed to be playing about her firm lips. Who can tell in the fitful light of a camp fire? It might have been a smile of triumph, or of conscious power, or of tender pity, or, perhaps, of love.

She spoke softly to him, and he rose to his feet, putting his arm round her in quiet consciousness of his ownership; she laid her


Almayer's Folly
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Old Indian Legends by Zitkala-Sa:

screaming into their lodges. Covering their heads with their blankets, they sat trembling with fear. No one dared to venture out till the red eagle had disappeared beyond the west, where meet the blue and green.

In vain tried the chieftain of the tribe to find among his warriors a powerful marksman who could send a death arrow to the man-hungry bird. At last to urge his men to their utmost skill he bade his crier proclaim a new reward.

Of the chieftain's two beautiful daughters he would have his choice who brought the dreaded red eagle with an arrow in its breast.

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Catriona by Robert Louis Stevenson:

house to house; bees bummed in the gardens; the neighbours that I saw at the doorsteps talked in a strange tongue; and I found out later that this was Picardy, a village where the French weavers wrought for the Linen Company. Here I got a fresh direction for Pilrig, my destination; and a little beyond, on the wayside, came by a gibbet and two men hanged in chains. They were dipped in tar, as the manner is; the wind span them, the chains clattered, and the birds hung about the uncanny jumping-jacks and cried. The sight coming on me suddenly, like an illustration of my fears, I could scarce be done with examining it and drinking in discomfort. And, as I thus turned and turned about the gibbet, what should I strike on, but a weird old wife, that sat behind