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Today's Stichomancy for T. S. Eliot

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from 'Twixt Land & Sea by Joseph Conrad:

nothing particularly attractive in it. Perhaps - perhaps he had seen nothing? He behaved as usual, but he had never before found me alone on the verandah. If he had alluded to it, if he had asked: "Where's Alice?" or something of the sort, I would have been able to judge from the tone. He would give me no opportunity. The striking peculiarity was that he had never looked up at me yet. "He knows," I said to myself confidently. And my contempt for him relieved my disgust with myself.

"You are early home," I remarked.

"Things are very quiet; nothing doing at the store to-day," he explained with a cast-down air.


'Twixt Land & Sea
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Expression of Emotion in Man and Animals by Charles Darwin:

persons may, however, have been partly misled by not expecting to see an old man crying, and by tears not being secreted. With respect to another figure by Dr. Duchenne (fig. 49), in which the muscles of half the face are galvanized in order to represent a man beginning to cry, with the eyebrow on the same side rendered oblique, which is characteristic of misery, the expression was recognized by a greater proportional number of persons. Out of twenty-three persons, fourteen answered correctly, "sorrow," "distress," "grief," "just going to cry," "endurance of pain," &c. On the other hand, nine persons either could form no opinion or were entirely wrong, answering,


Expression of Emotion in Man and Animals
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The New Machiavelli by H. G. Wells:

nothing more than a man who either through want of imagination or want of suggestion misapplies to a base use a natural power of concentration upon one end. The concentration itself is neither good nor evil, but a power that can be used in either way. And the Baileys gathered and reinvested usuriously not money, but knowledge of the utmost value in human affairs. They produced an effect of having found themselves--completely. One envied them at times extraordinarily. I was attracted, I was dazzled--and at the same time there was something about Bailey's big wrinkled forehead, his lisping broad mouth, the gestures of his hands and an uncivil preoccupation I could not endure. . . .

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Black Arrow by Robert Louis Stevenson:

"Nay," whispered the ferryman, winking. "Mark me! Sir Daniel shall down. His time is out. He shall down. Mum!" And he bent over his oars.

They pulled a long way up the river, turned the tail of an island, and came softly down a narrow channel next the opposite bank. Then Hugh held water in midstream.

"I must land you here among the willows," he said.

"Here is no path but willow swamps and quagmires," answered Dick.

"Master Shelton," replied Hugh, "I dare not take ye nearer down, for your own sake now. He watcheth me the ferry, lying on his bow. All that go by and owe Sir Daniel goodwill, he shooteth down like