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Today's Stichomancy for T. S. Eliot

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Divine Comedy (translated by Henry Wadsworth Longfellow) by Dante Alighieri:

To stay and speak with me let it not irk thee; Thou seest it irks not me, and I am burning.

If thou but lately into this blind world Hast fallen down from that sweet Latian land, Wherefrom I bring the whole of my transgression,

Say, if the Romagnuols have peace or war, For I was from the mountains there between Urbino and the yoke whence Tiber bursts."

I still was downward bent and listening, When my Conductor touched me on the side, Saying: "Speak thou: this one a Latian is."


The Divine Comedy (translated by Henry Wadsworth Longfellow)
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Symposium by Plato:

commentator has dreamed of, it is also true that many things have been imagined which are not really to be found there. Some writings hardly admit of a more distinct interpretation than a musical composition; and every reader may form his own accompaniment of thought or feeling to the strain which he hears. The Symposium of Plato is a work of this character, and can with difficulty be rendered in any words but the writer's own. There are so many half-lights and cross-lights, so much of the colour of mythology, and of the manner of sophistry adhering--rhetoric and poetry, the playful and the serious, are so subtly intermingled in it, and vestiges of old philosophy so curiously blend with germs of future knowledge, that agreement among interpreters is not to be expected. The expression 'poema

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from To-morrow by Joseph Conrad:

expectant glance. There were always smudgy shadows under her eyes, and she did not seem able to see any change or any end to her life.

"You wait till you get married, my dear," said her only friend, drawing closer to the fence. "Harry will get you one."

His hopeful craze seemed to mock her own want of hope with so bitter an aptness that in her ner- vous irritation she could have screamed at him out- right. But she only said in self-mockery, and speaking to him as though he had been sane,


To-morrow
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Somebody's Little Girl by Martha Young:

play the hour in the sand, and where they could spend one hour eating their cakes with their feet on the gravel, and where they could walk behind Sister Justina on all the shell-bordered walks around the beds (but they must not step on the beds)--just one hour. If a rain came it always did surprise them: those little girls were always surprised when it rained! and they did not know exactly what to do when it rained, though they knew almost always what to do when the sun shone. One day when it rained it happened that the little girls were all left over the one hour in the long room where all the rows and rows of the little arm-chairs sat, and where all the little girls learned to Count, and to say Their Prayers, and to Tell the