| The first excerpt represents the past or something you must release, and is drawn from The Octopus by Frank Norris: "I'm busy, I'm very busy." The young man pushed by with grave
preoccupation.
"Two quarts 'n' a half. Two quarts 'n' a half."
"I know better. That's all rot."
But the barn was filling up rapidly. At every moment there was a
rattle of a newly arrived vehicle from outside. Guest after
guest appeared in the doorway, singly or in couples, or in
families, or in garrulous parties of five and six. Now it was
Phelps and his mother from Los Muertos, now a foreman from
Broderson's with his family, now a gayly apparelled clerk from a
Bonneville store, solitary and bewildered, looking for a place to
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The second excerpt represents the present or the deciding factor of the moment, and is drawn from All's Well That Ends Well by William Shakespeare: [Enter PAROLLES.]
PAROLLES.
Save you, fair queen!
HELENA.
And you, monarch!
PAROLLES.
No.
HELENA.
And no.
PAROLLES.
Are you meditating on virginity?
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The third excerpt represents the future or something you must embrace, and is drawn from Eve and David by Honore de Balzac: would take the fruits of a crime, he would share the benefit but
not the risk--a thing that seems abhorrent to the whole world,
even to scoundrels. Oh, he would despise himself, he would repent;
but bring him once more to the test, and he would fail again; for
he is weak of will, he cannot resist the allurements of pleasure,
nor forego the least of his ambitions. He is indolent, like all
who would fain be poets; he thinks it clever to juggle with the
difficulties of life instead of facing and overcoming them. He
will be brave at one time, cowardly at another, and deserves
neither credit for his courage, nor blame for his cowardice.
Lucien is like a harp with strings that are slackened or tightened
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