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Today's Stichomancy for T. S. Eliot

The first excerpt represents the past or something you must release, and is drawn from Disputation of the Power and Efficacy of Indulgences by Dr. Martin Luther:

88. Again: -- "What greater blessing could come to the Church than if the pope were to do a hundred times a day what he now does once, and bestow on every believer these remissions and participations?"

89. "Since the pope, by his pardons, seeks the salvation of souls rather than money, why does he suspend the indulgences and pardons granted heretofore, since these have equal efficacy?"

90. To repress these arguments and scruples of the laity by force alone, and not to resolve them by giving reasons, is to expose the Church and the pope to the ridicule of their

The second excerpt represents the present or the deciding factor of the moment, and is drawn from Vailima Prayers & Sabbath Morn by Robert Louis Stevenson:

blackness of despair, the horror of misconduct, from which our feet have been plucked out. For our sins forgiven or prevented, for our shame unpublished, we bless and thank Thee, O God. Help us yet again and ever. So order events, so strengthen our frailty, as that day by day we shall come before Thee with this song of gratitude, and in the end we be dismissed with honour. In their weakness and their fear, the vessels of thy handiwork so pray to Thee, so praise Thee. Amen.

SUNDAY

WE beseech Thee, Lord, to behold us with favour, folk of many families and nations gathered together in the peace of this roof,

The third excerpt represents the future or something you must embrace, and is drawn from Ferragus by Honore de Balzac:

around his domestic hearth the millions gathered in blood by the lurid light of flames and slaughter.

Since the death of Napoleon, circumstances, about which the author must keep silence, have still farther dissolved the original bond of this secret society, always extraordinary, sometimes sinister, as though it lived in the blackest pages of Mrs. Radcliffe. A somewhat strange permission to relate in his own way a few of the adventures of these men (while respecting certain susceptibilities) has only recently been given to him by one of those anonymous heroes to whom all society was once occultly subjected. In this permission the writer fancied he detected a vague desire for personal celebrity.


Ferragus