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Today's Stichomancy for Terry Gilliam

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Lay Morals by Robert Louis Stevenson:

ways of gilding the distasteful orthodox bolus. Some swallow it in a thin jelly of metaphysics; for it is even a credit to believe in God on the evidence of some crack-jaw philosopher, although it is a decided slur to believe in Him on His own authority. Others again (and this we think the worst method), finding German grammar a somewhat dry morsel, run their own little heresy as a proof of independence; and deny one of the cardinal doctrines that they may hold the others without being laughed at.

Besides, however, such influences as these, there is little more distinction between the faculties than the traditionary

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Soul of the Far East by Percival Lowell:

the most pressing questions of the day. Of the two great problems that stare the Western world in the face at the present moment, both turn to it for solution. Agnosticism, the foreboding silence of those who think, socialism, communism, and nihilism, the petulant cry of those who do not, alike depend ultimately for the right to be upon the truth or the falsity of the sense of self.

For if there be no such actual thing as individuality, if the feeling we call by that name be naught but the transient illusion the Buddhists would have us believe it, any faith founded upon it as basis vanishes as does the picture in a revolving kaleidoscope,-- less enduring even than the flitting phantasmagoria of a dream.

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Elizabeth and her German Garden by Marie Annette Beauchamp:

This morning I got up early to see how they were getting on, and I found the door of the cage wide open and no owls to be seen. I thought of course that somebody had stolen them-- some boy from the village, or perhaps the chastised cowherd. But looking about I saw one perched high up in the branches of the beech tree, and then to my dismay one lying dead on the ground. The third was nowhere to be seen, and is probably safe in its nest. The parents must have torn at the bars of the cage until by chance they got the door open, and then dragged the little ones out and up into the tree. The one that is dead must have been blown off the branch, as it was a windy night and its neck is broken.


Elizabeth and her German Garden
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Schoolmistress and Other Stories by Anton Chekhov:

the front seat and lashing the horse's back.

"Don't cry, Matryona, . . ." he muttered. "Have a little patience. Please God we shall reach the hospital, and in a trice it will be the right thing for you. . . . Pavel Ivanitch will give you some little drops, or tell them to bleed you; or maybe his honor will be pleased to rub you with some sort of spirit -- it'll . . . draw it out of your side. Pavel Ivanitch will do his best. He will shout and stamp about, but he will do his best. . . . He is a nice gentleman, affable, God give him health! As soon as we get there he will dart out of his room and will begin calling me names. 'How? Why so?' he will cry. 'Why did you not


The Schoolmistress and Other Stories