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Today's Stichomancy for The Rock

The first excerpt represents the past or something you must release, and is drawn from The Legend of Sleepy Hollow by Washington Irving:

fullness of their revelry, they fluttered, chirping and frolicking from bush to bush, and tree to tree, capricious from the very profusion and variety around them. There was the honest cockrobin, the favorite game of stripling sportsmen, with its loud querulous note; and the twittering blackbirds flying in sable clouds, and the golden- winged woodpecker with his crimson crest, his broad black gorget, and splendid plumage; and the cedar-bird, with its red tipt wings and yellow-tipt tail and its little monteiro cap of feathers; and the blue jay, that noisy coxcomb, in his gay light blue coat and white underclothes, screaming and chattering, nodding and bobbing and bowing, and


The Legend of Sleepy Hollow
The second excerpt represents the present or the deciding factor of the moment, and is drawn from Thus Spake Zarathustra by Friedrich Nietzsche:

everything is indifferent, everything is useless: or else--we must live with Zarathustra!'

'Why doth he not come who hath so long announced himself?' thus do many people ask; 'hath solitude swallowed him up? Or should we perhaps go to him?'

Now doth it come to pass that solitude itself becometh fragile and breaketh open, like a grave that breaketh open and can no longer hold its dead. Everywhere one seeth resurrected ones.

Now do the waves rise and rise around thy mountain, O Zarathustra. And however high be thy height, many of them must rise up to thee: thy boat shall not rest much longer on dry ground.


Thus Spake Zarathustra
The third excerpt represents the future or something you must embrace, and is drawn from Sarrasine by Honore de Balzac:

than his talent and his vast fortune, which was said to be due to his beauty as much as to his voice.

" 'It's a woman,' said Sarrasine, thinking that no one could overhear him. 'There's some secret intrigue beneath all this. Cardinal Cicognara is hoodwinking the Pope and the whole city of Rome!'

"The sculptor at once left the salon, assembled his friends, and lay in wait in the courtyard of the palace. When Zambinella was assured of Sarrasine's departure he seemed to recover his tranquillity in some measure. About midnight after wandering through the salons like a man looking for an enemy, the /musico/ left the party. As he passed through the palace gate he was seized by men who deftly gagged him