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Today's Stichomancy for The Rock

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Ursula by Honore de Balzac:

"You love your son, you wish to marry him in a manner conformable with the name he bears; and yet you encourage his fancy for an ambitious girl without money and the daughter of a regimental band- master, by inviting her to your house. You ought to marry him to Mademoiselle du Rouvre, on whom her two uncles, the Marquis de Ronquerolles and the Chevalier du Rouvre, who are worth money, would settle a handsome sum rather than leave it to that old fool the Marquis du Rouvre, who runs through everything. Madame de Serizy, aunt of Clementine du Rouvre, who has just lost her only son in the campaign in Algiers, will no doubt adopt her niece. A person who is your well-wisher assures you that Savinien will be accepted."

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Lady Baltimore by Owen Wister:

Why had they not done this already? Well, the garden had in some way helped me to frame a fairly reasonable answer for this also. Poor Hortense had become as powerless to woo John to warmth as poor Venus had been with Adonis; and passion, in changing sides, had advanced the boy's knowledge. He knew now the difference between the embraces of his lady when she had merely wanted his phosphates, and these other caresses now that, she wanted him. In his ceaseless search for some possible loophole of escape, his eye could not have overlooked the chance that lay in Charley, and he was far too canny to blast his forlorn hope. He had probably wondered what had changed the nature of Hortense's caresses, and the adventure of the torn money could scarce have failed to suggest

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from A Prince of Bohemia by Honore de Balzac:

luxury, with carefully chosen works of art shining in the setting. Tullia allowed du Bruel to enthrone himself amid the tribe; there were plenty of journalists whom it was easy enough to catch and ensnare; and, thanks to her evening parties and a well-timed loan here and there, Cursy was not attacked too seriously--his plays succeeded. For these reasons he would not have separated from Tullia for an empire. If she had been unfaithful, he would probably have passed it over, on condition that none of his accustomed joys should be retrenched; yet, strange to say, Tullia caused him no twinges on this account. No fancy was laid to her charge; if there had been any, she certainly had been very careful of appearances.

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Ball at Sceaux by Honore de Balzac:

the Count, not with the familiar tenderness which makes a daughter's love so sweet a thing, but with the light carelessness of a mistress confident of pleasing, whatever she may do.

"My dear child," said Monsieur de Fontaine, gravely, "I sent for you to talk to you very seriously about your future prospects. You are at this moment under the necessity of making such a choice of a husband as may secure your durable happiness----"

"My good father," replied Emilie, assuming her most coaxing tone of voice to interrupt him, "it strikes me that the armistice on which we agreed as to my suitors is not yet expired."

"Emilie, we must to-day forbear from jesting on so important a matter.