| The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Life and Adventures of Santa Claus by L. Frank Baum: the rocks.
"It is useless to carry him where the Knooks reign," said the King,
"for he has their protection. So let us cast him into a cave of our
own mountains, where he will surely perish."
This was promptly agreed to, and the wicked band set out that night to
seize Claus. But they found his dwelling guarded by the Seals of the
Immortals and were obliged to go away baffled and disappointed.
"Never mind," said the King; "he does not sleep always!"
Next day, as Claus traveled to the village across the plain, where he
intended to present a toy squirrel to a lame boy, he was suddenly set
upon by the Awgwas, who seized him and carried him away to the mountains.
 The Life and Adventures of Santa Claus |
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Woodlanders by Thomas Hardy: way towards Sherton-Abbas with you; for the cider season will soon
be coming on, and I want to run down to the Vale to see how the
crops are, and I shall go by the Sherton road. But for a day or
two I am busy here." He was hoping that by the time mentioned he
would be strong enough to engage himself actively on her behalf.
"I hope you do not feel over-much melancholy in being a prisoner?"
She declared that she did not mind it; but she sighed.
From long acquaintance they could read each other's heart-symptoms
like books of large type. "I fear you are sorry you came," said
Giles, "and that you think I should have advised you more firmly
than I did not to stay."
 The Woodlanders |
| The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Menexenus by Plato: was common to several of his contemporaries. Aeschines, Euclid, Phaedo,
Antisthenes, and in the next generation Aristotle, are all said to have
composed dialogues; and mistakes of names are very likely to have occurred.
Greek literature in the third century before Christ was almost as
voluminous as our own, and without the safeguards of regular publication,
or printing, or binding, or even of distinct titles. An unknown writing
was naturally attributed to a known writer whose works bore the same
character; and the name once appended easily obtained authority. A
tendency may also be observed to blend the works and opinions of the master
with those of his scholars. To a later Platonist, the difference between
Plato and his imitators was not so perceptible as to ourselves. The
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The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from A Man of Business by Honore de Balzac: 'it is the Bridge of Sighs; it is the shortest way to an execution.'
Indeed, his knowledge of commercial law was so complete, that a
professional could not have taught him anything. At that time he had
nothing, as you know. His carriage and horses were jobbed; he lived in
his valet's house; and, by the way, he will be a hero to his valet to
the end of the chapter, even after the marriage that he proposes to
make. He belonged to three clubs, and dined at one of them whenever he
did not dine out. As a rule, he was to be found very seldom at his own
address--"
"He once said to me," interrupted La Palferine, " 'My one affectation
is the pretence that I make of living in the Rue Pigalle.' "
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