| The first excerpt represents the past or something you must release, and is drawn from Richard III by William Shakespeare: But you, my honourable lords, may name the time;
And in the Duke's behalf I'll give my voice,
Which, I presume, he'll take in gentle part.
Enter GLOUCESTER
BISHOP OF ELY. In happy time, here comes the Duke himself.
GLOUCESTER. My noble lords and cousins all, good morrow.
I have been long a sleeper, but I trust
My absence doth neglect no great design
Which by my presence might have been concluded.
BUCKINGHAM. Had you not come upon your cue, my lord,
WILLIAM Lord Hastings had pronounc'd your part-
Richard III |
The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Count of Monte Cristo by Alexandre Dumas: said, "Oh, yes, yes, I bless you in my own name, and in the
name of three generations of irreproachable men, who say
through me, `The edifice which misfortune has destroyed,
providence may build up again.' On seeing me die such a
death, the most inexorable will have pity on you. To you,
perhaps, they will accord the time they have refused to me.
Then do your best to keep our name free from dishonor. Go to
work, labor, young man, struggle ardently and courageously;
live, yourself, your mother and sister, with the most rigid
economy, so that from day to day the property of those whom
I leave in your hands may augment and fructify. Reflect how
The Count of Monte Cristo |
The third excerpt represents the future or something you must embrace, and is drawn from The Glimpses of the Moon by Edith Wharton: fellow-wanderers, unless the meeting happened to interfere with
choicer pleasures. Not to be alone was the urgent thing; and
Ursula, who had been forty-eight hours alone in London, at once
exacted from her friend a promise that they should spend the
rest of the day together. But once the bargain struck her mind
turned again to her own affairs, and she poured out her
confidences to Susy over a succession of dishes that manifested
the head-waiter's understanding of the case.
Ursula's confidences were always the same, though they were
usually about a different person. She demolished and rebuilt
her sentimental life with the same frequency and impetuosity as
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