| The first excerpt represents the past or something you must release, and is drawn from The Chouans by Honore de Balzac: of expecting them vivid. The moral nature, like the physical nature,
has its abysses into which strong souls love to plunge, risking their
future as gamblers risk their fortune. Mademoiselle de Verneuil and
the young marquis had obtained a revelation of each other's minds as a
consequence of this interview, and their intercourse thus took rapid
strides, for the sympathy of their souls succeeded to that of their
senses. Besides, the more they felt fatally drawn to each other, the
more eager they were to study the secret action of their minds. The
so-called Vicomte de Bauvan, surprised at the seriousness of the
strange girl's ideas, asked himself how she could possibly combine
such acquired knowledge of life with so much youth and freshness. He
 The Chouans |
The second excerpt represents the present or the deciding factor of the moment, and is drawn from The First Men In The Moon by H. G. Wells: again. It made me laugh and pant for a time, and suggested the idea of a
little oxygen from one of the cylinders. After that I lit the heater until
I felt warm, and then I took food. Then I set to work in a very gingerly
fashion on the Cavorite blinds, to see if I could guess by any means how
the sphere was travelling.
The first blind I opened I shut at once, and hung for a time flattened and
blinded by the sunlight that had hit me. After thinking a little I started
upon the windows at right angles to this one, and got the huge crescent
moon and the little crescent earth behind it, the second time. I was
amazed to find how far I was from the moon. I had reckoned that not only
should I have little or none of the "kick-off" that the earth's atmosphere
 The First Men In The Moon |
The third excerpt represents the future or something you must embrace, and is drawn from Malbone: An Oldport Romance by Thomas Wentworth Higginson: All sacredness and sweetness, all that was pure and brave and
truthful, seemed to rest in her. And when the song ceased at
his summons, and she came down to meet him,--glowing,
beautiful, appealing, tender,--then all meaner spells vanished,
if such had ever haunted him, and he was hers alone.
Later that evening, after the household had separated, Hope
went into the empty drawing-room for a light. Philip, after a
moment's hesitation, followed her, and paused in the doorway.
She stood, a white-robed figure, holding the lighted candle;
behind her rose the arched alcove, whose quaint cherubs looked
down on her; she seemed to have stepped forth, the awakened
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