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Today's Stichomancy for Tim Burton

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Wife, et al by Anton Chekhov:

this. It's too much for me!"

She sinks on a chair and begins sobbing. She flings her head back, wrings her hands, taps with her feet; her hat falls off and hangs bobbing on its elastic; her hair is ruffled.

"Help me! help me! "she implores me. "I cannot go on!"

She takes her handkerchief out of her travelling-bag, and with it pulls out several letters, which fall from her lap to the floor. I pick them up, and on one of them I recognize the handwriting of Mihail Fyodorovitch and accidentally read a bit of a word "passionat. . ."

"There is nothing I can tell you, Katya," I say.

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Rezanov by Gertrude Atherton:

drive us out. They would rage and bluster and do nothing. Then quietly push forward, building forts and ships. But you have taken hold in the grand manner and will accomplish in ten years what would have taken me fifty. Marry this girl, use your ad- vantage over the entire family--whose influence I well know--and that great personal power with which the Almighty has been so lavish, and you will have the whole weakly garrisoned country un- der your foot before they know where they are, and the Russian settlers pouring in. Spain cannot


Rezanov
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Tono Bungay by H. G. Wells:

have been the unwelcome guest of a working baker, my cousin, who has since died in the Chatham infirmary; I have eaten illegal snacks--the unjustifiable gifts of footmen--in pantries, and been despised for my want of style (and subsequently married and divorced) by the daughter of a gasworks clerk; and--to go to my other extreme--I was once--oh, glittering days!--an item in the house-party of a countess. She was, I admit, a countess with a financial aspect, but still, you know, a countess. I've seen these people at various angles. At the dinner-table I've met not simply the titled but the great. On one occasion--it is my brightest memory--I upset my champagne over the trousers of the

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Age of Innocence by Edith Wharton:

Then he remembered that, as he had left the house that morning, she had called over the stairs that she would meet him at her grandmother's so that they might drive home together. He had called back a cheery "Yes!" and then, absorbed in other visions, had forgotten his promise. Now he was smitten with compunction, yet irritated that so trifling an omission should be stored up against him after nearly two years of marriage. He was weary of living in a perpetual tepid honeymoon, without the temperature of passion yet with all its exactions. If May had spoken out her grievances (he