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Today's Stichomancy for Tim Burton

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Lemorne Versus Huell by Elizabeth Drew Stoddard:

the door, and so there was quite a little sensation, which spread its ripples till Aunt Eliza was reached. She sent for William, whose only excuse was "dampness."

"Uxbridge knew my carriage, of course," she said, with a complacent voice. "He knew me," I replied.

"You do not look like the Huells."

"I look precisely like the young woman to whom he was introduced by Mr. Van Horn."

"Oh ho!"

"He thought it unsafe for me to come alone under William's

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Dream Life and Real Life by Olive Schreiner:

and they both had crowns on their heads, crowns of wild asparagus. The people whom they passed smiled and kissed her; some gave her flowers, and some gave her food, and the sunlight was everywhere. She dreamed the same dream over and over, and it grew more and more beautiful; till, suddenly, it seemed as though she were standing quite alone. She looked up: on one side of her was the high precipice, on the other was the river, with the willow trees, drooping their branches into the water; and the moonlight was over all. Up, against the night sky the pointed leaves of the kippersol trees were clearly marked, and the rocks and the willow trees cast dark shadows.

In her sleep she shivered, and half awoke.

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from A Voyage to Arcturus by David Lindsay:

Haunte came last; grasping the staff which held the upper male stone, he proceeded to erect it, after removing the cap. Maskull then obtained his first near view of the mysterious light, which, by counteracting the forces of Nature, acted indirectly not only as elevator but as motive force. In the last ruddy gleams of the great sun, its rays were obscured, and it looked little more impressive than an extremely brilliant, scintillating blue-white jewel, but its power could be gauged by the visible, coloured mist that it threw out for many yards around.

The steering was effected by means of a shutter attached by a cord to the top of the staff, which could be so manipulated that any segment

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Astoria by Washington Irving:

some to the succession of winds from the Pacific Ocean, extending from latitude twenty degrees to at least fifty degrees north. These temper the heat of summer, so that in the shade no one is incommoded by perspiration; they also soften the rigors of winter, and produce such a moderation in the climate, that the inhabitants can wear the same dress throughout the year.

The soil in the neighborhood of the sea-coast is of a brown color, inclining to red, and generally poor; being a mixture of clay and gravel. In the interior, and especially in the valleys of the Rocky Mountains, the soil is generally blackish, though sometimes yellow. It is frequently mixed with marl, and with