The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Tao Teh King by Lao-tze: answer the ends of a carriage. They do not wish to show themselves
elegant-looking as jade, but (prefer) to be coarse-looking as an
(ordinary) stone.
40. 1. The movement of the Tao
By contraries proceeds;
And weakness marks the course
Of Tao's mighty deeds.
2. All things under heaven sprang from It as existing (and named);
that existence sprang from It as non-existent (and not named).
41. 1. Scholars of the highest class, when they hear about the Tao,
earnestly carry it into practice. Scholars of the middle class, when
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The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Pierre Grassou by Honore de Balzac: little changing light from the north flooded with its cold clear beams
the vast apartment. Fougeres, being merely a genre painter, does not
need the immense machinery and outfit which ruin historical painters;
he has never recognized within himself sufficient faculty to attempt
high-art, and he therefore clings to easel painting.
At the beginning of the month of December of that year, a season at
which the bourgeois of Paris conceive, periodically, the burlesque
idea of perpetuating their forms and figures already too bulky in
themselves, Pierre Grassou, who had risen early, prepared his palette,
and lighted his stove, was eating a roll steeped in milk, and waiting
till the frost on his windows had melted sufficiently to let the full
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The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Tao Teh King by Lao-tze: goes on acting with energy has a (firm) will.
2. He who does not fail in the requirements of his position, continues
long; he who dies and yet does not perish, has longevity.
34. 1. All-pervading is the Great Tao! It may be found on the left
hand and on the right.
2. All things depend on it for their production, which it gives to
them, not one refusing obedience to it. When its work is
accomplished, it does not claim the name of having done it. It
clothes all things as with a garment, and makes no assumption of being
their lord;--it may be named in the smallest things. All things
return (to their root and disappear), and do not know that it is it
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The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Memoir of Fleeming Jenkin by Robert Louis Stevenson: 'DEC. 3. - Odden will not talk of you, while you are away, having
inherited, as I suspect, his father's way of declining to consider
a subject which is painful, as your absence is. . . . I certainly
should like to learn Greek and I think it would be a capital
pastime for the long winter evenings. . . . How things are
misrated! I declare croquet is a noble occupation compared to the
pursuits of business men. As for so-called idleness - that is, one
form of it - I vow it is the noblest aim of man. When idle, one
can love, one can be good, feel kindly to all, devote oneself to
others, be thankful for existence, educate one's mind, one's heart,
one's body. When busy, as I am busy now or have been busy to-day,
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