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Today's Stichomancy for Tom Cruise

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Chance by Joseph Conrad:

contrivances for his comfort. She herself had hardly seen them before. He was looking only at the new carpet and she waited till he should raise his eyes.

He didn't do that but spoke in his usual voice. "So this is your husband, that . . . And I locked up!"

"Papa, what's the good of harping on that," she remonstrated no louder. "He is kind."

"And you went and . . . married him so that he should be kind to me. Is that it? How did you know that I wanted anybody to be kind to me?"

"How strange you are!" she said thoughtfully.


Chance
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Mosses From An Old Manse by Nathaniel Hawthorne:

block of oak, and it is my business to find it."

"Drowne," said the true artist, grasping the carver fervently by the hand, "you are a man of genius!"

As Copley departed, happening to glance backward from the threshold, he beheld Drowne bending over the half-created shape, and stretching forth his arms as if he would have embraced and drawn it to his heart; while, had such a miracle been possible, his countenance expressed passion enough to communicate warmth and sensibility to the lifeless oak.

"Strange enough!" said the artist to himself. "Who would have looked for a modern Pygmalion in the person of a Yankee


Mosses From An Old Manse
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from God The Invisible King by H. G. Wells:

broadening out from the frowsy den of the "leech," with its crocodile and bottles and hieroglyphic prescriptions, to a skilled and illuminating co-operation with those who deal with the food and housing and economic life of the community.

And again quite parallel with these personal problems is the trouble of the artist between the market and vulgar fame on the one hand and his divine impulse on the other.

The presence of God will be a continual light and help in every decision that must be made by men and women in these more or less vitiated, but still fundamentally useful and righteous, positions.

The trouble becomes more marked and more difficult in the case of a

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Door in the Wall, et. al. by H. G. Wells:

wills of straw that eddy in the wind; the days pass, use and wont carry us through as a train carries the shadow of its lights--so be it! But one thing is real and certain, one thing is no dream- stuff, but eternal and enduring. It is the centre of my life, and all other things about it are subordinate or altogether vain. I loved her, that woman of a dream. And she and I are dead together!

"A dream! How can it be a dream, when it drenched a living life with unappeasable sorrow, when it makes all that I have lived for and cared for, worthless and unmeaning?

"Until that very moment when she was killed I believed we had still a chance of getting away," he said. "All through the night