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Today's Stichomancy for Tom Hanks

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Marie by H. Rider Haggard:

in consultation.

They separated out again, and the king began to descend, deputed probably to spy out the land. Down he came in ever-narrowing turns, till he reached the appointed spot for the plunge, and, according to the immemorial custom of these birds, hung a while before he pounced with his head to the south and his great, spreading tail towards me.

This was my chance, and, rejoicing in having so large a mark, I got the sight upon him and pulled. The bullet thudded, some feathers floated from his belly, showing that it had gone home, and I looked to see him fall as the others had done. But alas! he did not fall. For a few seconds he rocked to and fro upon his great wings, then commenced to


Marie
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Glinda of Oz by L. Frank Baum:

valuable.

Ozma was somewhat disappointed in what she found in the palace. One room of Coo-ee-oh's private suite was entirely devoted to the practice of witchcraft, and here were countless queer instruments and jars of ointments and bottles of potions labeled with queer names, and strange machines that Ozma could not guess the use of, and pickled toads and snails and lizards, and a shelf of books that were written in blood, but in a language which the Ruler of Oz did not know.

"I do not see," said Ozma to Dorothy, who accompanied


Glinda of Oz
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Charmides by Plato:

It may be remarked further that several of the dialogues, such as the Phaedrus, the Sophist, and the Parmenides, have more than one subject. But it does not therefore follow that Plato intended one dialogue to succeed another, or that he begins anew in one dialogue a subject which he has left unfinished in another, or that even in the same dialogue he always intended the two parts to be connected with each other. We cannot argue from a casual statement found in the Parmenides to other statements which occur in the Philebus. Much more truly is his own manner described by himself when he says that 'words are more plastic than wax' (Rep.), and 'whither the wind blows, the argument follows'. The dialogues of Plato are like poems, isolated and separate works, except where they are indicated by the author

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Poor and Proud by Oliver Optic:

work, they gave it up in despair. But not long were they permitted to struggle with the severe toil which their circumstances imposed upon them; for on the night before Christmas, when a large demand for candy was anticipated, and both of them had worked very hard, Mrs. Redburn fainted and fell upon the floor. It was in this manner that she had been taken at the commencement of her former long sickness, and to Katy the future looked dark and gloomy. But she did not give up. She applied herself, with all her energies, to the restoration of her mother; and when she was partially conscious, she attempted to conduct her to the bed. The poor woman's strength was all gone,