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Today's Stichomancy for Tom Hanks

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from An Old Maid by Honore de Balzac:

The Middle Classes

Bousquier, Madame du (du Croisier) (Mlle. Cormon) The Collection of Antiquities (companion piece)

Casteran, De The Chouans The Seamy Side of History The Collection of Antiquities (companion piece) Beatrix The Peasantry

Chesnel (or Choisnel) The Seamy Side of History

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Emma by Jane Austen:

to leave Highbury the following morning in his way to Bath; where, in compliance with the pressing entreaties of some friends, he had engaged to spend a few weeks, and very much regretted the impossibility he was under, from various circumstances of weather and business, of taking a personal leave of Mr. Woodhouse, of whose friendly civilities he should ever retain a grateful sense-- and had Mr. Woodhouse any commands, should be happy to attend to them."

Emma was most agreeably surprized.--Mr. Elton's absence just at this time was the very thing to be desired. She admired him for contriving it, though not able to give him much credit for the manner in which it was announced. Resentment could not


Emma
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Oedipus Trilogy by Sophocles:

Through forest brakes and upland groves, And vainly seeks to fly The doom that ever nigh Flits o'er his head, Still by the avenging Phoebus sped, The voice divine, From Earth's mid shrine. (Str. 2) Sore perplexed am I by the words of the master seer. Are they true, are they false? I know not and bridle my tongue for fear,


Oedipus Trilogy
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Philebus by Plato:

less, and is always in a state of comparison. All words or ideas to which the words 'gently,' 'extremely,' and other comparative expressions are applied, fall under this class. The infinite would be no longer infinite, if limited or reduced to measure by number and quantity. The opposite class is the limited or finite, and includes all things which have number and quantity. And there is a third class of generation into essence by the union of the finite and infinite, in which the finite gives law to the infinite;--under this are comprehended health, strength, temperate seasons, harmony, beauty, and the like. The goddess of beauty saw the universal wantonness of all things, and gave law and order to be the salvation of the soul. But no effect can be generated without a cause, and therefore there