| The first excerpt represents the past or something you must release, and is drawn from Northanger Abbey by Jane Austen: Miss Morland?"
"Yes, very; I have hardly ever an opportunity
of being in one; but I am particularly fond of it."
"I am glad of it; I will drive you out in mine
every day."
"Thank you," said Catherine, in some distress,
from a doubt of the propriety of accepting such an offer.
"I will drive you up Lansdown Hill tomorrow."
"Thank you; but will not your horse want rest?"
"Rest! He has only come three and twenty miles today;
all nonsense; nothing ruins horses so much as rest;
 Northanger Abbey |
The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Economist by Xenophon: will be your duty to preside; yours to receive the stuffs brought in;
yours to apportion part for daily use, and yours to make provision for
the rest, to guard and garner it so that the outgoings destined for a
year may not be expended in a month. It will be your duty, when the
wools are introduced, to see that clothing is made for those who need;
your duty also to see that the dried corn is rendered fit and
serviceable for food.
"There is just one of all these occupations which devolve upon you," I
added, "you may not find so altogether pleasing. Should any one of our
household fall sick, it will be your care to see and tend them to the
recovery of their health."
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The third excerpt represents the future or something you must embrace, and is drawn from The Works of Samuel Johnson by Samuel Johnson: Socrates: he beholds a thousand shops crowded with
goods, of which he can scarcely tell the use, and
which, therefore, he is apt to consider as of no value:
and indeed, many of the arts by which families are
supported, and wealth is heaped together, are of that
minute and superfluous kind, which nothing but
experience could evince possible to be prosecuted with
advantage, and which, as the world might easily
want, it could scarcely be expected to encourage.
But so it is, that custom, curiosity, or
wantonness, supplies every art with patrons, and finds
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