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Today's Stichomancy for Tom Leykis

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Goodness of St. Rocque and Other Stories by Alice Dunbar:

How could he help but love her, Annette asked herself, how could he? Madame Dubeau was beautiful and gifted and charming.

Once she whispered her fears to him when there was the meagrest bit of an opportunity. He laughed. "You don't understand, little one," he said tenderly; "the relations of professional people to each other are peculiar. After you go to Paris, you will know."

Still, New Orleans had built up its romance, and gossiped accordingly.

"Have you heard the news?" whispered Lola to Annette, leaning from her box at the opera one night. The curtain had just gone


The Goodness of St. Rocque and Other Stories
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Call of the Canyon by Zane Grey:

by infinitely respecting him. I learned through his hog-raising the real nobility of work. . . . Well, at last I found courage to ask him when he was coming back to New York. He said 'never!' . . . I realized then my blindness, my selfishness. I could not be his wife and live there. I could not. I was too small, too miserable, too comfort-loving--too spoiled. And all the time he knew this--knew I'd never be big enough to marry him. . . . That broke my heart. I left him free--and here I am. . . . I beg you--don't ask me any more--and never to mention it to me--so I can forget."

The tender unspoken sympathy of women who loved her proved comforting in that trying hour. With the confession ruthlessly made the hard compression in Carley's breast subsided, and her eyes cleared of a hateful dimness.


The Call of the Canyon
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Arizona Nights by Stewart Edward White:

"Fact," says he, "and did it ever occur to you that if all the food a man eats in the course of a natural life could be gathered together at one time, it would fill a wagon-train twelve miles long?" "You make me hungry," says I. "And ain't it interestin' to reflect," he goes on, "that if all the finger-nail parin's of the human race for one year was to be collected and subjected to hydraulic pressure it would equal in

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Lord Arthur Savile's Crime, etc. by Oscar Wilde:

them, and intended, as Meres tells us, for private circulation only among a few, a very few, friends. Upon the other hand he was extremely conscious of the high artistic value of his plays, and shows a noble self-reliance upon his dramatic genius. When he says to Willie Hughes:

But thy eternal summer shall not fade, Nor lose possession of that fair thou owest; Nor shall Death brag thou wander'st in his shade, When in ETERNAL LINES to time thou grow'st: So long as men can breathe, or eyes can see, So long lives this, and this gives life to thee; -