| The first excerpt represents the past or something you must release, and is drawn from The Muse of the Department by Honore de Balzac: and a cavern, and one Lamberti who could foresee future possibilities
--there is a whole melodrama in that page. Add to these elements a
little intrigue, a peasant maiden with her hair dressed high, short
skirts, and a hundred or so of bad couplets.--Oh! the public will
crowd to see it! And then Rinaldo--how well the name suits Lafont! By
giving him black whiskers, tightly-fitting trousers, a cloak, a
moustache, a pistol, and a peaked hat--if the manager of the
Vaudeville Theatre were but bold enough to pay for a few newspaper
articles, that would secure fifty performances, and six thousand
francs for the author's rights, if only I were to cry it up in my
columns.
The Muse of the Department |
The second excerpt represents the present or the deciding factor of the moment, and is drawn from Madam How and Lady Why by Charles Kingsley: which give flint to the stems of corn and of grass, and so make
them stiff and hard, and able to stand upright--and very probably
without the carbonic acid gas, which comes out of the volcanos,
and is taken up by the leaves of plants, and turned by Madam How's
cookery into solid wood--without all these things, and I suspect
without a great many more things which come out of volcanos--I do
not see how this beautiful green world could get on at all.
Of course, when the lava first cools on the surface of the ground
it is hard enough, and therefore barren enough. But Madam How
sets to work upon it at once, with that delicate little water-
spade of hers, which we call rain, and with that alone, century
|
The third excerpt represents the future or something you must embrace, and is drawn from Vendetta by Honore de Balzac: tainted with patriotism and Bonapartism (in those days the terms were
synonymous), and she ceased her attendance at the studio. But,
although she herself forgot Ginevra, the harm she had planted bore
fruit. Little by little, the other young girls revealed to their
mothers the strange events which were happening at the studio. One day
Matilde Roguin did not come; the next day another girl was missing,
and so on, till the last three or four who were left came no more.
Ginevra and Laure, her little friend, were the sole occupants of the
deserted studio for three or four days.
Ginevra did not observe this falling off, nor ask the cause of her
companions' absence. As soon as she had invented means of
|
