Tarot Runes I Ching Stichomancy Contact
Store Numerology Coin Flip Yes or No Webmasters
Personal Celebrity Biorhythms Bibliomancy Settings

Today's Stichomancy for Toni Braxton

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Myths and Myth-Makers by John Fiske:

animals as dogs, apes, and elephants may be capable of forming a few fetichistic notions. The behaviour of the terrier here rests upon the assumption that the ball is open to the same sort of entreaty which prevails with the master; which implies, not that the wistful brute accredits the ball with a soul, but that in his mind the distinction between life and inanimate existence has never been thoroughly established. Just this confusion between things living and things not living is present throughout the whole philosophy of fetichism; and the confusion between things seen and things dreamed, which suggests the notion of another self, belongs to


Myths and Myth-Makers
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Weir of Hermiston by Robert Louis Stevenson:

had a certain accomplishment in minor verse. His "Hermiston Burn," with its pretty refrain -

"I love to gang thinking whaur ye gang linking, Hermiston burn, in the howe;"

his "Auld, auld Elliotts, clay-cauld Elliotts, dour, bauld Elliotts of auld," and his really fascinating piece about the Praying Weaver's Stone, had gained him in the neighbourhood the reputation, still possible in Scotland, of a local bard; and, though not printed himself, he was recognised by others who were and who had become famous. Walter Scott owed to Dandie the text of the "Raid of Wearie" in the MINSTRELSY; and made him welcome at his house, and appreciated his talents, such as

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Anne of Green Gables by Lucy Maud Montgomery:

her arms and wrists another moment, Gilbert Blythe came rowing under the bridge in Harmon Andrews's dory!

Gilbert glanced up and, much to his amazement, beheld a little white scornful face looking down upon him with big, frightened but also scornful gray eyes.

"Anne Shirley! How on earth did you get there?" he exclaimed.

Without waiting for an answer he pulled close to the pile and extended his hand. There was no help for it; Anne, clinging to Gilbert Blythe's hand, scrambled down into the dory, where she sat, drabbled and furious, in the stern with her arms full of dripping shawl and wet crepe. It was certainly extremely


Anne of Green Gables
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Maitre Cornelius by Honore de Balzac:

evils, involuntary sadness, ill-turns of fortune among the Touraineans. Even at court most persons attributed to Cornelius that fatal influence which Italian, Spanish, and Asiatic superstition has called the "evil eye." Without the terrible power of Louis XI., which was stretched like a mantle over that house, the populace, on the slightest opportunity, would have demolished La Malemaison, that "evil house" in the rue du Murier. And yet Cornelius had been the first to plant mulberries in Tours, and the Touraineans at that time regarded him as their good genius. Who shall reckon on popular favor!

A few seigneurs having met Maitre Cornelius on his journeys out of France were surprised at his friendliness and good-humor. At Tours he