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Today's Stichomancy for Toni Braxton

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Dark Lady of the Sonnets by George Bernard Shaw:

none of my thoughts.

_Lamplight streams from the palace door as it opens from within._

THE BEEFEATER. Here comes your lady, sir. I'll to t'other end of my ward. You may een take your time about your business: I shall not return too suddenly unless my sergeant comes prowling round. Tis a fell sergeant, sir: strict in his arrest. Go'd'en, sir; and good luck! _[He goes]._

THE MAN. "Strict in his arrest"! "Fell sergeant"! _[As if tasting a ripe plum]_ O-o-o-h! _[He makes a note of them]._

_A Cloaked Lady gropes her way from the palace and wanders along the terrace, walking in her sleep._

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Complete Poems of Longfellow by Henry Wadsworth Longfellow:

I will forget her! But perhaps hereafter, When she shall learn how heartless is the world, A voice within her will repeat my name, And she will say, "He was indeed my friend!" O, would I were a soldier, not a scholar, That the loud march, the deafening beat of drums, The shattering blast of the brass-throated trumpet, The din of arms, the onslaught and the storm, And a swift death, might make me deaf forever To the upbraidings of this foolish heart!

Hyp. Then let that foolish heart upbraid no more!

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Jane Eyre by Charlotte Bronte:

education and clothing of an orphan from the workhouse, on condition that she shall aid the mistress in such menial offices connected with her own house and the school as her occupation of teaching will prevent her having time to discharge in person. Will you be this mistress?"

He put the question rather hurriedly; he seemed half to expect an indignant, or at least a disdainful rejection of the offer: not knowing all my thoughts and feelings, though guessing some, he could not tell in what light the lot would appear to me. In truth it was humble--but then it was sheltered, and I wanted a safe asylum: it was plodding--but then, compared with that of a governess in a rich


Jane Eyre
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Dreams by Olive Schreiner:

wall towered up always above him to heaven. Sometimes he prayed that a little moss or lichen might spring up on those bare walls to be a companion to him; but it never came.

And the years rolled on; he counted them by the steps he had cut--a few for a year--only a few. He sang no more; he said no more, "I will do this or that"--he only worked. And at night, when the twilight settled down, there looked out at him from the holes and crevices in the rocks strange wild faces.

"Stop your work, you lonely man, and speak to us," they cried.

"My salvation is in work, if I should stop but for one moment you would creep down upon me," he replied. And they put out their long necks