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Today's Stichomancy for Tupac Shakur

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from God The Invisible King by H. G. Wells:

it stands aside from many of these entangled struggles in the jungle of conscience. Practice is often easier than a rule. In practice a lawyer will know far more accurately than a hypothetical case can indicate, how far he is bound to see his client through, and how far he may play the keeper of his client's conscience. And nearly every day there happens instances where the most subtle casuistry will fail and the finger of conscience point unhesitatingly. One may have worried long in the preparation and preliminaries of the issue, one may bring the case at last into the final court of conscience in an apparently hopeless tangle. Then suddenly comes decision.

The procedure of that silent, lit, and empty court in which a man

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Soul of the Far East by Percival Lowell:

which certain religious sects assume to show their own irrelevancy to the world. They are often most estimable folk, but they are no more capable of inspiring a strong emotion than the other kind are incapable of doing so. And we say the difference is due to the personality or want of personality of the man. Now, in what does this so-called personality consist? Not in bodily presence simply, for men quite destitute of it possess the force in question; not in character only, for we often disapprove of a character whose attraction we are powerless to resist; not in intellect alone, for men more rational fail of stirring us as these unconsciously do. In what, then? In life itself; not that modicum of it, indeed,

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Ten Years Later by Alexandre Dumas:

chateau of Vaux?"

The Breton raised his head in profound admiration, but he was not convinced. "A hundred belfries! Ah that may be, but Belle-Isle is finer than that. Should you like to see Belle-Isle?"

"Is that possible?" asked D'Artagnan.

"Yes, with permission of the governor."

"But I do not know the governor."

"As you know M. Fouquet, you can tell your name."

"Oh, my friends, I am not a gentleman."

"Everybody enters Belle-Isle," continued the fisherman in


Ten Years Later
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Charmides by Plato:

which characterizes all modern languages. We cannot have two 'buts' or two 'fors' in the same sentence where the Greek repeats (Greek). There is a similar want of particles expressing the various gradations of objective and subjective thought--(Greek) and the like, which are so thickly scattered over the Greek page. Further, we can only realize to a very imperfect degree the common distinction between (Greek), and the combination of the two suggests a subtle shade of negation which cannot be expressed in English. And while English is more dependent than Greek upon the apposition of clauses and sentences, yet there is a difficulty in using this form of construction owing to the want of case endings. For the same reason there cannot be an equal variety in the order of words or an equal