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Today's Stichomancy for Tupac Shakur

The first excerpt represents the past or something you must release, and is drawn from Return of the Native by Thomas Hardy:

for the term of immaturity. But it was really one of those faces which convey less the idea of so many years as its age than of so much experience as its store. The number of their years may have adequately summed up Jared, Mahalaleel, and the rest of the antediluvians, but the age of a modern man is to be measured by the intensity of his history.

The face was well shaped, even excellently. But the mind within was beginning to use it as a mere waste tablet whereon to trace its idiosyncrasies as they developed themselves. The beauty here visible would in no long time be ruthlessly


Return of the Native
The second excerpt represents the present or the deciding factor of the moment, and is drawn from Enemies of Books by William Blades:

will be preserved from dust and injury for many a long year.

Old covers, whether boards or paper, should always be retained if in any state approaching decency. A case, which can be embellished to any extent looks every whit as well upon the shelf! and gives even greater protection than binding. It has also this great advantage: it does not deprive your descendants of the opportunity of seeing for themselves exactly in what dress the book buyers of four centuries ago received their volumes.

CHAPTER IX.

COLLECTORS.

AFTER all, two-legged depredators, who ought to have known better,

The third excerpt represents the future or something you must embrace, and is drawn from Allan Quatermain by H. Rider Haggard:

Temple of the Sun, now not more than five miles away.

'I reach it or I die,' he gasped.

Oh, that last five miles! The skin was rubbed from the inside of my legs, and every movement of my horse gave me anguish. Nor was that all. I was exhausted with toil, want of food and sleep, and also suffering very much from the blow I had received on my left side; it seemed as though a piece of bone or something was slowly piercing into my lung. Poor Daylight, too, was pretty nearly finished, and no wonder. But there was a smell of dawn in the air, and we might not stay; better that all three of us should die upon the road than that we should linger while there


Allan Quatermain