| The first excerpt represents the past or something you must release, and is drawn from Mosses From An Old Manse by Nathaniel Hawthorne: semblance of a flaw. After his marriage,--for he thought little
or nothing of the matter before,--Aylmer discovered that this was
the case with himself.
Had she been less beautiful,--if Envy's self could have found
aught else to sneer at,--he might have felt his affection
heightened by the prettiness of this mimic hand, now vaguely
portrayed, now lost, now stealing forth again and glimmering to
and fro with every pulse of emotion that throbbed within her
heart; but seeing her otherwise so perfect, he found this one
defect grow more and more intolerable with every moment of their
united lives. It was the fatal flaw of humanity which Nature, in
 Mosses From An Old Manse |
The second excerpt represents the present or the deciding factor of the moment, and is drawn from A Sentimental Journey by Laurence Sterne: cottage, - and happy is the sharer of it, - and happy are the lambs
which sport about you!
THE SUPPER.
A SHOE coming loose from the fore foot of the thill-horse, at the
beginning of the ascent of mount Taurira, the postilion dismounted,
twisted the shoe off, and put it in his pocket; as the ascent was
of five or six miles, and that horse our main dependence, I made a
point of having the shoe fastened on again, as well as we could;
but the postilion had thrown away the nails, and the hammer in the
chaise box being of no great use without them, I submitted to go
on.
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The third excerpt represents the future or something you must embrace, and is drawn from Moran of the Lady Letty by Frank Norris: The brown sweater led the way to a sailors' boarding-house hard
by. The rear of the place was built upon piles over the water.
But in front, on the ground floor, was a barroom.
"Rum an' gum," announced the brown sweater, as the two came in and
took their places at the bar.
"Rum an' gum, Tuck; wattle you have, sir?"
"Oh--I don't know," hesitated Wilbur; "give me a mild Manhattan."
While the drinks were being mixed the brown sweater called
Wilbur's attention to a fighting head-dress from the Marquesas
that was hung on the wall over the free-lunch counter and opposite
the bar. Wilbur turned about to look at it, and remained so, his
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