| The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Great Gatsby by F. Scott Fitzgerald: under no obligations to you at all . . . and as for your bothering me
about it at lunch time, I won't stand that at all!"
"Holding down the receiver," said Daisy cynically.
"No, he's not," I assured her. "It's a bona-fide deal. I happen to
know about it."
Tom flung open the door, blocked out its space for a moment with his
thick body, and hurried into the room.
"Mr. Gatsby!" He put out his broad, flat hand with well-concealed
dislike. "I'm glad to see you, sir. . . . Nick. . . ."
"Make us a cold drink," cried Daisy.
As he left the room again she got up and went over to Gatsby and pulled
 The Great Gatsby |
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Hidden Masterpiece by Honore de Balzac: bottles of oil and turpentine, easels and stools upset or standing at
right angles, left but a narrow pathway to the circle of light thrown
from the window in the roof, which fell full on the pale face of
Porbus and on the ivory skull of his singular visitor.
The attention of the young man was taken exclusively by a picture
destined to become famous after those days of tumult and revolution,
and which even then was precious in the sight of certain opinionated
individuals to whom we owe the preservation of the divine afflatus
through the dark days when the life of art was in jeopardy. This noble
picture represents the Mary of Egypt as she prepares to pay for her
passage by the ship. It is a masterpiece, painted for Marie de
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