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Today's Stichomancy for Uma Thurman

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Communist Manifesto by Karl Marx:

requires for his maintenance, and for the propagation of his race. But the price of a commodity, and therefore also of labour, is equal to its cost of production. In proportion therefore, as the repulsiveness of the work increases, the wage decreases. Nay more, in proportion as the use of machinery and division of labour increases, in the same proportion the burden of toil also increases, whether by prolongation of the working hours, by increase of the work exacted in a given time or by increased speed of the machinery, etc.

Modern industry has converted the little workshop of the patriarchal master into the great factory of the industrial


The Communist Manifesto
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Message by Honore de Balzac:

Suddenly, just as I was composing myself, at a turning in the green walk, among a wilderness of flowers lighted up by a hot ray of sunlight, I saw Juliette--Juliette and her husband. The pretty little girl held her mother by the hand, and it was easy to see that the lady had quickened her pace somewhat at the child's ambiguous phrase. Taken aback by the sight of a total stranger, who bowed with a tolerably awkward air, she looked at me with a coolly courteous expression and an adorable pout, in which I, who knew her secret, could read the full extent of her disappointment. I sought, but sought in vain, to remember any of the elegant phrases so laboriously prepared.

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Secret Places of the Heart by H. G. Wells:

kept the peace between her jolly sun-burnt cheek and her soft untanned neck. It was evident her recent uniform had included a collar of great severity. Miss Seyffert had revealed a plump forearm and proclaimed it with a clash of bangles. Dr. Martineau thought her evening throat much too confidential.

The conversation drifted from topic to topic. It had none of the steady continuity of Sir Richmond's duologue with Miss Grammont. Miss Seyffert's methods were too discursive and exclamatory. She broke every thread that appeared. The Old George at Salisbury is really old; it shows it, and Miss Seyffert laced the entire evening with her recognition of the

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Egmont by Johann Wolfgang Von Goethe:

confidence to any one who comes with a besom in his hand. Oh, it seems to me as if I saw the king and his council worked upon this tapestry.

Machiavel. So distinctly!

Regent. No feature is wanting. There are good men among them. The honest Roderigo, so experienced and so moderate, who does not aim too high, yet lets nothing sink too low; the upright Alonzo, the diligent Freneda, the steadfast Las Vargas, and others who join them when the good party are in power. But there sits the hollow-eyed Toledan, with brazen front and deep fire-glance, muttering between his teeth about womanish softness, ill-timed concession, and that women can ride trained steeds, well enough, but are themselves bad masters of the horse, and the


Egmont