| The first excerpt represents the past or something you must release, and is drawn from The Complete Poems of Longfellow by Henry Wadsworth Longfellow: And, gazing anxiously around,
Protested that he had not slept,
But only shut his eyes, and kept
His ears attentive to each word.
Then all arose, and said "Good Night."
Alone remained the drowsy Squire
To rake the embers of the fire,
And quench the waning parlor light.
While from the windows, here and there,
The scattered lamps a moment gleamed,
And the illumined hostel seemed
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The second excerpt represents the present or the deciding factor of the moment, and is drawn from Crito by Plato: proposal of escape is uncertain: Plato could easily have invented far more
than that (Phaedr.); and in the selection of Crito, the aged friend, as the
fittest person to make the proposal to Socrates, we seem to recognize the
hand of the artist. Whether any one who has been subjected by the laws of
his country to an unjust judgment is right in attempting to escape, is a
thesis about which casuists might disagree. Shelley (Prose Works) is of
opinion that Socrates 'did well to die,' but not for the 'sophistical'
reasons which Plato has put into his mouth. And there would be no
difficulty in arguing that Socrates should have lived and preferred to a
glorious death the good which he might still be able to perform. 'A
rhetorician would have had much to say upon that point.' It may be
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The third excerpt represents the future or something you must embrace, and is drawn from Poems by Bronte Sisters: Unmarked it falls, for she no less
Pursues her labour sweet.
The very loveliest hour that shines,
Is in that deep blue sky;
The golden sun of June declines,
It has not caught her eye.
The cheerful lawn, and unclosed gate,
The white road, far away,
In vain for her light footsteps wait,
She comes not forth to-day.
There is an open door of glass
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