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Today's Stichomancy for Umberto Eco

The first excerpt represents the past or something you must release, and is drawn from The Turn of the Screw by Henry James:

I seemed at any rate, for an instant, to see their evocation of her as distinctly as I had seen her by the pond; and I brought out with decision: "It must have been also what SHE wished!"

Mrs. Grose's face signified that it had been indeed, but she said at the same time: "Poor woman--she paid for it!"

"Then you do know what she died of?" I asked.

"No--I know nothing. I wanted not to know; I was glad enough I didn't; and I thanked heaven she was well out of this!"

"Yet you had, then, your idea--"

"Of her real reason for leaving? Oh, yes--as to that. She couldn't have stayed. Fancy it here--for a governess!

The second excerpt represents the present or the deciding factor of the moment, and is drawn from A Sentimental Journey by Laurence Sterne:

pressing his hands together - you never used me unkindly. - I should think, said the lady, he is not likely. I blush'd in my turn; but from what movements, I leave to the few who feel, to analyze. - Excuse me, Madame, replied I, - I treated him most unkindly; and from no provocations. - 'Tis impossible, said the lady. - My God! cried the monk, with a warmth of asseveration which seem'd not to belong to him - the fault was in me, and in the indiscretion of my zeal. - The lady opposed it, and I joined with her in maintaining it was impossible, that a spirit so regulated as his, could give offence to any.

I knew not that contention could be rendered so sweet and

The third excerpt represents the future or something you must embrace, and is drawn from Lady Chatterley's Lover by D. H. Lawrence:

gills.

She went up to her room, furious, saying to herself: 'Him and buying people! Well, he doesn't buy me, and therefore there's no need for me to stay with him. Dead fish of a gentleman, with his celluloid soul! And how they take one in, with their manners and their mock wistfulness and gentleness. They've got about as much feeling as celluloid has.'

She made her plans for the night, and determined to get Clifford off her mind. She didn't want to hate him. She didn't want to be mixed up very intimately with him in any sort of feeling. She wanted him not to know anything at all about herself: and especially, not to know anything about her feeling for the keeper. This squabble of her


Lady Chatterley's Lover