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Today's Stichomancy for Vidal Sassoon

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Goodness of St. Rocque and Other Stories by Alice Dunbar:

miserable little cottage in one of the squalid streets of the Third District that nature and the city fathers seemed to have forgotten.

As bare and comfortless as the room was Miss Sophie's life. She rented these four walls from an unkempt little Creole woman, whose progeny seemed like the promised offspring of Abraham. She scarcely kept the flickering life in her pale little body by the unceasing toil of a pair of bony hands, stitching, stitching, ceaselessly, wearingly, on the bands and pockets of trousers. It was her bread, this monotonous, unending work; and though whole days and nights constant labour brought but the most meagre


The Goodness of St. Rocque and Other Stories
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Wife, et al by Anton Chekhov:

reality! That's because you lead a cramped life full of hatred, see no one, and read nothing but your engineering books. And, you know, there are good people, good books! Yes . . . but I am exhausted and it wearies me to talk. I ought to be in bed."

"So I am going away, Natalie," I said.

"Yes . . . yes. . . . _Merci_. . . ."

I stood still for a little while, then went upstairs. An hour later -- it was half-past one -- I went downstairs again with a candle in my hand to speak to my wife. I didn't know what I was going to say to her, but I felt that I must say some thing very important and necessary. She was not in her study, the door

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Dunwich Horror by H. P. Lovecraft:

and in the yard outside the no less frightened herd were pawing and lowing pitifully, having followed the boy back in the panic they shared with him. Between gasps Luther tried to stammer out his tale to Mrs Corey. 'Up thar in the rud beyont the glen, Mis' Corey - they's suthin' ben thar! It smells like thunder, an' all the bushes an' little trees is pushed back from the rud like they'd a haouse ben moved along of it. An' that ain't the wust, nuther. They's prints in the rud, Mis' Corey - great raound prints as big as barrel-heads, all sunk dawon deep like a elephant had ben along, only they's a sight more nor four feet could make!


The Dunwich Horror
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Thuvia, Maid of Mars by Edgar Rice Burroughs:

doubtless be not difficult for you to find a jed you do not love, Astok--there are many who do not love you."

Already Vas Kor was commencing to presume upon his power over the young prince. Astok was quick to note and appreciate the subtle change in his lieutenant. A cunning scheme entered his weak and wicked brain.

"As you say, Vas Kor!" he exclaimed. "You shall be a jed when the thing is done," and then, to himself: "Nor will it then be difficult for me to find a jed I do not love."

"When shall we return to Dusar?" asked the noble.

"At once," replied Astok. "Let us get under way now--


Thuvia, Maid of Mars