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Today's Stichomancy for Vin Diesel

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Ivanhoe by Walter Scott:

from degradation and disgrace.

CHAPTER XL

Shadows avaunt!---Richard's himself again. _Richard III._

When the Black Knight---for it becomes necessary to resume the train of his adventures---left the Trysting-tree of the generous Outlaw, he held his way straight to a neighbouring religious house, of small extent and revenue, called the Priory of Saint Botolph, to which the wounded Ivanhoe had been removed when the castle was taken, under the


Ivanhoe
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Lin McLean by Owen Wister:

and then was gone again into the dimness.

The sheriff in the cab took off his hat to Miss Buckner, remarking that she should belong to the force; and as the bell rang and the engine moved, off popped young Billy Lusk from his cow-catcher. With an exclamation of horror she sprang down, and Mr. McLean appeared, and, with all a parent's fright and rage, held the boy by the arm grotesquely as the sheriff steamed by.

"I ain't a-going to chase it," said young Billy, struggling.

"I've a mind to cowhide you," said Lin.

But Miss Buckner interposed. "Oh, well," said she, "next time; if he does it next time. It's so late to-night! You'll not frighten us that way

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from A Second Home by Honore de Balzac:

curved supports for the legs did not move fast enough to please him; his pretty face, framed in fair curls that fell over his white collar, smiled up like a cherub's at his mother when she said to him from the depths of an easy-chair, "Not so much noise, Charles; you will wake your little sister."

The inquisitive boy suddenly got off his horse, and treading on tiptoe as if he were afraid of the sound of his feet on the carpet, came up with one finger between his little teeth, and standing in one of those childish attitudes that are so graceful because they are so perfectly natural, raised the muslin veil that hid the rosy face of a little girl sleeping on her mother's knee.

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Droll Stories, V. 1 by Honore de Balzac:

"Read me the litanies of Madame the Virgin," said she to him, pushing an open book him on her prieu-dieu. "Let me see if you are well taught by your master."

"Do you not think the Virgin beautiful?" asked she of him, smiling when he held the illuminated prayer-book in which glowed the silver and gold.

"It is a painting," replied he, timidly, and casting a little glance upon his so gracious mistress.

"Read! read!"

Then Rene began to recite the so sweet and so mystic litanies; but you may imagine that the "Ora pro nobis" of Blanche became still fainter


Droll Stories, V. 1