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Today's Stichomancy for Vincent Van Gogh

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Land of Footprints by Stewart Edward White:

that most fascinating of games-trailing over difficult ground. In this we could all take part, for the tracks were some hours old, and the cover scanty. Very rarely could we make out more than three successive marks. Then we had to spy carefully for the slightest indication of direction. Kongoni in especial was wonderful at this, and time and again picked up a broken grass blade or the minutest inch-fraction of disturbed earth. We moved slowly, in long hesitations and castings about, and in swift little dashes forward of a few feet; and often we went astray on false scents, only to return finally to the last certain spot. In this manner we crossed the little plain with the scattered shrub

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Northanger Abbey by Jane Austen:

had so much sense; I am glad you are come back. It was a strange, wild scheme."

They all spent the evening together at Thorpe's. Catherine was disturbed and out of spirits; but Isabella seemed to find a pool of commerce, in the fate of which she shared, by private partnership with Morland, a very good equivalent for the quiet and country air of an inn at Clifton. Her satisfaction, too, in not being at the Lower Rooms was spoken more than once. "How I pity the poor creatures that are going there! How glad I am that I am not amongst them! I wonder whether


Northanger Abbey
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Witch, et. al by Anton Chekhov:

someone; they liked sitting here at the top, they smiled happily and forgot that they must go down below again all the same.

At last they went home again. The mowers were sitting on the ground at the gates near the shop. As a rule the Ukleevo peasants did not go to Tsybukin's to work, and they had to hire strangers, and now in the darkness it seemed as though there were men sitting there with long black beards. The shop was open, and through the doorway they could see the deaf man playing draughts with a boy. The mowers were singing softly, scarcely audibly, or loudly demanding their wages for the previous day, but they were not paid for fear they should go away before to-morrow. Old

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from End of the Tether by Joseph Conrad:

color; the European with the time-defying vigor of his old frame, the little Malay, old, too, but slight and shrunken like a withered brown leaf blown by a chance wind under the mighty shadow of the other. Very busy looking forward at the land, they had not a glance to spare; and Massy, glaring at them from behind, seemed to resent their attention to their duty like a per- sonal slight upon himself.

This was unreasonable; but he had lived in his own world of unreasonable resentments for many years. At last, passing his moist palm over the rare lanky wisps


End of the Tether