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Today's Stichomancy for Vincent Van Gogh

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Arizona Nights by Stewart Edward White:

kickin' up a hell of a dust. And every time them fourteen Honk-honks of mine took along after 'em, just as I'd taught 'em to do, layin' to get to their corn when they caught up. No more of 'em died, but that fourteen did get into elegant trainin'. After a while they got plumb to enjoyin' it. When you come right down to it, a chicken don't have many amusements and relaxations in this life. Searchin' for worms, chasin' grasshoppers, and wallerin' in the dust is about the limits of joys for chickens.

It was sure a fine sight to see 'em after they got well into the game. About nine o'clock every mornin' they would saunter down to the rise of the road where they would wait patient until a

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from On the Origin of Species by Charles Darwin:

period they were stocked with endemic Alpine forms; but these have almost everywhere largely yielded to the more dominant forms, generated in the larger areas and more efficient workshops of the north. In many islands the native productions are nearly equalled or even outnumbered by the naturalised; and if the natives have not been actually exterminated, their numbers have been greatly reduced, and this is the first stage towards extinction. A mountain is an island on the land; and the intertropical mountains before the Glacial period must have been completely isolated; and I believe that the productions of these islands on the land yielded to those produced within the larger areas of the north, just in the same way as the productions of real islands have everywhere lately yielded to


On the Origin of Species
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Meno by Plato:

meaning of them, an explanation of the nature and origin of knowledge, will always continue to be one of the first problems of philosophy.

Plato also left behind him a most potent instrument, the forms of logic-- arms ready for use, but not yet taken out of their armoury. They were the late birth of the early Greek philosophy, and were the only part of it which has had an uninterrupted hold on the mind of Europe. Philosophies come and go; but the detection of fallacies, the framing of definitions, the invention of methods still continue to be the main elements of the reasoning process.

Modern philosophy, like ancient, begins with very simple conceptions. It is almost wholly a reflection on self. It might be described as a

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Louis Lambert by Honore de Balzac:

Any one who forms a clear idea of this huge college, with its monastic buildings in the heart of a little town, and the four plots in which we were distributed as by a monastic rule, will easily conceive of the excitement that we felt at the arrival of a new boy, a passenger suddenly embarked on the ship. No young duchess, on her first appearance at Court, was ever more spitefully criticised than the new boy by the youths in his division. Usually during the evening play- hour before prayers, those sycophants who were accustomed to ingratiate themselves with the Fathers who took it in turns two and two for a week to keep an eye on us, would be the first to hear on trustworthy authority: "There will be a new boy to-morrow!" and then


Louis Lambert