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Today's Stichomancy for Vincent Van Gogh

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Duchesse de Langeais by Honore de Balzac:

More than three weeks went by. Mme de Langeais wrote again and again, and no answer came from Montriveau. At last she gave out that she was ill, to gain a dispensation from attendance on the Princess and from social duties. She was only at home to her father the Duc de Navarreins, her aunt the Princesse de Blamont-Chauvry, the old Vidame de Pamiers (her maternal great-uncle), and to her husband's uncle, the Duc de Grandlieu. These persons found no difficulty in believing that the Duchess was ill, seeing that she grew thinner and paler and more dejected every day. The vague ardour of love, the smart of wounded pride, the continual prick of the only scorn that could touch her, the

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from An International Episode by Henry James:

"You are always there," he said, "and that's reason enough for my not going."

"I don't see why. There is enough for both of us."

"I don't care to be a witness of your--your reckless passion," said Percy Beaumont.

Lord Lambeth looked at him with a cold eye and for a moment said nothing. "It's not so obvious as you might suppose," he rejoined dryly, "considering what a demonstrative beggar I am."

"I don't want to know anything about it--nothing whatever," said Beaumont. "Your mother asks me everytime she sees me whether I believe you are really lost--and Lady Pimlico does the same.

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Lucile by Owen Meredith:

A change had pass'd o'er him; an angry remorse Of his own frantic failure and error had marr'd Such a refuge forever. The future seem'd barr'd By the corpse of a dead hope o'er which he must tread To attain it. Life's wilderness round him was spread, What clew there to cling by? He clung by a name To a dynasty fallen forever. He came Of an old princely house, true through change to the race And the sword of Saint Louis--a faith 'twere disgrace To relinquish, and folly to live for! Nor less

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from A Journal of the Plague Year by Daniel Defoe:

I have only to add that I do not relate this any more than some of the other, as a fact within my own knowledge, so as that I can vouch the truth of them, and especially that of the man being cured by the extravagant adventure, which I confess I do not think very possible; but it may serve to confirm the many desperate things which the distressed people falling into deliriums, and what we call light- headedness, were frequently run upon at that time, and how infinitely more such there would have been if such people had not been confined by the shutting up of houses; and this I take to be the best, if not the only good thing which was performed by that severe method.

On the other hand, the complaints and the murmurings were very


A Journal of the Plague Year