| The first excerpt represents the past or something you must release, and is drawn from Charmides by Plato: would be a great benefit.
How so? he said.
Why, I said, we were far too ready to admit the great benefits which
mankind would obtain from their severally doing the things which they knew,
and committing the things of which they are ignorant to those who were
better acquainted with them.
Were we not right in making that admission?
I think not.
How very strange, Socrates!
By the dog of Egypt, I said, there I agree with you; and I was thinking as
much just now when I said that strange consequences would follow, and that
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The second excerpt represents the present or the deciding factor of the moment, and is drawn from Lesser Hippias by Plato: other dialogues of Plato; (2) that the sophistry of Socrates is more
palpable and unblushing, and also more unmeaning; (3) that many turns of
thought and style are found in it which appear also in the other
dialogues:--whether resemblances of this kind tell in favour of or against
the genuineness of an ancient writing, is an important question which will
have to be answered differently in different cases. For that a writer may
repeat himself is as true as that a forger may imitate; and Plato
elsewhere, either of set purpose or from forgetfulness, is full of
repetitions. The parallelisms of the Lesser Hippias, as already remarked,
are not of the kind which necessarily imply that the dialogue is the work
of a forger. The parallelisms of the Greater Hippias with the other
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The third excerpt represents the future or something you must embrace, and is drawn from The Fall of the House of Usher by Edgar Allan Poe: degrees, the wild influences of his own fantastic yet impressive
superstitions.
It was, especially, upon retiring to bed late in the night
of the seventh or eighth day after the placing of the lady
Madeline within the donjon, that I experienced the full power of
such feelings. Sleep came not near my couch--while the hours
waned and waned away. I struggled to reason off the nervousness
which had dominion over me. I endeavoured to believe that much,
if not all of what I felt, was due to the bewildering influence
of the gloomy furniture of the room--of the dark and tattered
draperies, which, tortured into motion by the breath of a rising
The Fall of the House of Usher |
