The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Return of Tarzan by Edgar Rice Burroughs: that Tarzan accept it as a gift. A close scrutiny of the
bauble convinced the ape-man that the article was of
virgin gold, and he was surprised, for it was the first time
that he had ever seen golden ornaments among the savages
of Africa, other than the trifling baubles those near the
coast had purchased or stolen from Europeans. He tried
to ask them from whence the metal came, but he could not
make them understand.
When the dance was done Tarzan signified his intention
to leave them, but they almost implored him to accept the
hospitality of a great hut which the chief set apart for his
 The Return of Tarzan |
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Poems of Goethe, Bowring, Tr. by Johann Wolfgang von Goethe: And she thank'd me with joy and said:--'The fortunate know not
How 'tis that miracles happen; we only discover in sorrow
God's protecting finger and hand, extended to beckon
Good men to good. May your kindness to us by Him be requited.'
And I saw the poor patient joyfully handling the linen,
Valuing most of all the soft flannel, the dressing-gown lining.
Then the maid thus address'd her:--'Now let us haste to the village
Where our friends are resting, to-night intending to sleep there
There I will straightway attend to what e'er for the infant is needed.'
Then she saluted me too, her thanks most heartily giving,
Drove the oxen, the waggon went on. I lingerd behind them,
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The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Faith of Men by Jack London: dog's shoulder.
It was a primordial setting and a primordial scene, such as might
have been in the savage youth of the world. An open space in a
dark forest, a ring of grinning wolf-dogs, and in the centre two
beasts, locked in combat, snapping and snarling raging madly about
panting, sobbing, cursing, straining, wild with passion, in a fury
of murder, ripping and tearing and clawing in elemental
brutishness.
But Leclere caught Batard behind the ear with a blow from his fist,
knocking him over, and, for the instant, stunning him. Then
Leclere leaped upon him with his feet, and sprang up and down,
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The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Young Forester by Zane Grey: "Well, Ken, we may as well sit back now and talk forestry till Buell skins
all he wants of Penetier," said Dick. "It's really a fine camping-spot.
Plenty of deer up here and bear, too."
"Dick, couldn't we escape?" I whispered.
"We're not likely to have a chance. But I say, Ken, how did you happen to
turn up? I thought you were going to hop on the first train for home."
"Dick, you had another think coming. I couldn't go home. I'll have a great
time yet--I'm having it now."
"Yes, that lump on your head looks like it," replied Dick, with a laugh.
"If Bud hadn't put you out we'd have come closer to licking this bunch.
Ken, keep your eye on Greaser. He's treacherous. His arm's lame yet."
 The Young Forester |