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Today's Stichomancy for Wassily Kandinsky

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Facino Cane by Honore de Balzac:

was arranged that Bianca should only rejoin us in Smyrna for fear of exciting suspicion. In a single night the hole was enlarged, and we dropped down into the Secret Treasury of Venice.

"What a night that was! Four great casks full of gold stood there. In the outer room silver pieces were piled in heaps, leaving a gangway between by which to cross the chamber. Banks of silver coins surrounded the walls to the height of five feet.

"I thought the jailer would go mad. He sang and laughed and danced and capered among the gold, till I threatened to strangle him if he made a sound or wasted time. In his joy he did not notice at first the table where the diamonds lay. I flung myself upon these, and deftly filled

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Adieu by Honore de Balzac:

her only language, she seldom uttered at that time. Fleuriot had endeavored to awaken in her a few ideas, a few memories of the past; but he failed; all that he gained was to make her say that melancholy word a little oftener. Still, the grenadier knew how to amuse her and play with her; my hope was in him, but--"

He was silent for a moment.

"Here," he continued, "she has found another creature, with whom she seems to have some strange understanding. It is a poor idiotic peasant-girl, who, in spite of her ugliness and stupidity, loved a man, a mason. The mason was willing to marry her, as she had some property. Poor Genevieve was happy for a year; she dressed in her best

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Secret Sharer by Joseph Conrad:

view of what I call the long (or vertical) part of the letter. It contained some lockers surmounted by a bookcase; and a few clothes, a thick jacket or two, caps, oilskin coat, and such like, hung on hooks. There was at the bottom of that part a door opening into my bathroom, which could be entered also directly from the saloon. But that way was never used.

The mysterious arrival had discovered the advantage of this particular shape. Entering my room, lighted strongly by a big bulkhead lamp swung on gimbals above my writing desk, I did not see him anywhere till he stepped out quietly from behind the coats hung in the recessed part.

"I heard somebody moving about, and went in there at once," he whispered.


The Secret Sharer
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Vailima Letters by Robert Louis Stevenson:

right, sir!' - FANNY (after a long pause), 'Peni, you tell that boy go find Simele! I no want him stand here all day. I no pay that boy. I see him all day. He no do nothing.' - Luncheon, beef, soda-scones, fried bananas, pine-apple in claret, coffee. Try to write a poem; no go. Play the flageolet. Then sneakingly off to farmering and pioneering. Four gangs at work on our place; a lively scene; axes crashing and smoke blowing; all the knives are out. But I rob the garden party of one without a stock, and you should see my hand - cut to ribbons. Now I want to do my path up the Vaituliga single-handed, and I want it to burst on the