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Today's Stichomancy for Wassily Kandinsky

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Moon-Face and Other Stories by Jack London:

Closer examination revealed that the skull had been crushed by some heavy blow. While it was strange that the animal should have been killed, the inexplicable thing was that it should so quickly decay.

"The reagents I injected into its system were harmless," Paul explained. "Yet they were powerful, and it appears that when death comes they force practically instantaneous disintegration. Remarkable! Most remarkable! Well, the only thing is not to die. They do not harm so long as one lives. But I do wonder who smashed in that dog's head."

Light, however, was thrown upon this when a frightened housemaid brought the news that Gaffer Bedshaw had that very morning, not more than an hour back, gone violently insane, and was strapped down at home, in the huntsman's lodge,

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Philebus by Plato:

up into a number of individuals, or be in and out of them at once. Philosophy had so deepened or intensified the nature of one or Being, by the thoughts of successive generations, that the mind could no longer imagine 'Being' as in a state of change or division. To say that the verb of existence is the copula, or that unity is a mere unit, is to us easy; but to the Greek in a particular stage of thought such an analysis involved the same kind of difficulty as the conception of God existing both in and out of the world would to ourselves. Nor was he assisted by the analogy of sensible objects. The sphere of mind was dark and mysterious to him; but instead of being illustrated by sense, the greatest light appeared to be thrown on the nature of ideas when they were contrasted with sense.

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from War of the Worlds by H. G. Wells:

report that they remained absolutely stationary for the next half hour. The Martian who had been overthrown crawled tediously out of his hood, a small brown figure, oddly sugges- tive from that distance of a speck of blight, and apparently engaged in the repair of his support. About nine he had finished, for his cowl was then seen above the trees again.

It was a few minutes past nine that night when these three sentinels were joined by four other Martians, each carrying a thick black tube. A similar tube was handed to each of the three, and the seven proceeded to distribute themselves at equal distances along a curved line between St. George's Hill,


War of the Worlds
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Hiero by Xenophon:

of all the burdens which the citizens are called upon to bear there is none more onerous than this, since nothing will induce them to believe these people are supported by the tyrant to add to his and their prestige,[18] but rather for the sake of his own selfishness and greed.

[18] Reading with Breit. {eis timas}, or if the vulg. {isotimous}, transl. "as equal merely to themselves in privilege"; or if with Schenkl (and Holden, ed. 3) {isotimias}, transl. "their firm persuasion is these hirelings are not supported by the tyrant in the interests of equality but of undue influence."

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