| The first excerpt represents the past or something you must release, and is drawn from Aeneid by Virgil: Shoot out in branches, or renew the birth:
An orphan now, cut from the mother earth
By the keen ax, dishonor'd of its hair,
And cas'd in brass, for Latian kings to bear."
When thus in public view the peace was tied
With solemn vows, and sworn on either side,
All dues perform'd which holy rites require;
The victim beasts are slain before the fire,
The trembling entrails from their bodies torn,
And to the fatten'd flames in chargers borne.
Already the Rutulians deem their man
 Aeneid |
The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Elixir of Life by Honore de Balzac: generous, prudent, or brave were held cheaply by their fellow-
men.
"What a cold-blooded jest!" said he to himself. "It was not
devised by a God."
From that time forth he renounced a better world, and never
uncovered himself when a Name was pronounced, and for him the
carven saints in the churches became works of art. He understood
the mechanism of society too well to clash wantonly with its
prejudices; for, after all, he was not as powerful as the
executioner, but he evaded social laws with the wit and grace so
well rendered in the scene with M. Dimanche. He was, in fact,
|
The third excerpt represents the future or something you must embrace, and is drawn from Euthydemus by Plato: of some kind is the only good.
CRITO: Yes, that was what you were saying.
SOCRATES: All the other results of politics, and they are many, as for
example, wealth, freedom, tranquillity, were neither good nor evil in
themselves; but the political science ought to make us wise, and impart
knowledge to us, if that is the science which is likely to do us good, and
make us happy.
CRITO: Yes; that was the conclusion at which you had arrived, according to
your report of the conversation.
SOCRATES: And does the kingly art make men wise and good?
CRITO: Why not, Socrates?
|