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Today's Stichomancy for Wassily Kandinsky

The first excerpt represents the past or something you must release, and is drawn from The White Moll by Frank L. Packard:

They carried her upstairs. She still insisted on clinging to Rhoda Gray's hand.

"Don't leave me!" she pleaded again, as they reached the door of a private room, and Rhoda Gray disengaged her hand gently.

"I'll stay outside here," Rhoda Gray promised. "I won't go away without seeing you again.

Rhoda Gray sat down on a settee in the hall. She glanced at her wrist watch. It was five minutes of eleven. Doctors and nurses came and went from the room. Then a great quiet seemed to settle down around her. A half hour passed. A doctor went into the room, and presently came out again. She intercepted him as he came along

The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Circular Staircase by Mary Roberts Rinehart:

this cuff-link before?"

No, he never had, he said, but he looked at it oddly.

"I picked it up in the hall," I added indifferently. The old man's eyes were shrewd under his bushy eyebrows.

"There's strange goin's-on here, Mis' Innes," he said, shaking his head. "Somethin's goin' to happen, sure. You ain't took notice that the big clock in the hall is stopped, I reckon?"

"Nonsense," I said. "Clocks have to stop, don't they, if they're not wound?"

"It's wound up, all right, and it stopped at three o'clock last night," he answered solemnly. "More'n that, that there clock


The Circular Staircase
The third excerpt represents the future or something you must embrace, and is drawn from An Occurrence at Owl Creek Bridge by Ambrose Bierce:

chafed under the inglorious restraint, longing for the release of his energies, the larger life of the soldier, the opportunity for distinction. That opportunity, he felt, would come, as it comes to all in wartime. Meanwhile he did what he could. No service was too humble for him to perform in the aid of the South, no adventure to perilous for him to undertake if consistent with the character of a civilian who was at heart a soldier, and who in good faith and without too much qualification assented to at least a part of the frankly villainous dictum that all is fair in love and war.


An Occurrence at Owl Creek Bridge