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Today's Stichomancy for William Gibson

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Lady Chatterley's Lover by D. H. Lawrence:

dialect. 'Tha's got the nicest arse of anybody. It's the nicest, nicest woman's arse as is! An' ivery bit of it is woman, woman sure as nuts. Tha'rt not one o' them button-arsed lasses as should be lads, are ter! Tha's got a real soft sloping bottom on thee, as a man loves in 'is guts. It's a bottom as could hold the world up, it is!'

All the while he spoke he exquisitely stroked the rounded tail, till it seemed as if a slippery sort of fire came from it into his hands. And his finger-tips touched the two secret openings to her body, time after time, with a soft little brush of fire.

'An' if tha shits an' if tha pisses, I'm glad. I don't want a woman as couldna shit nor piss.'


Lady Chatterley's Lover
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Cousin Pons by Honore de Balzac:

so overworked by playwrights of late.

Pardon the transcriber's errors.

ADDENDUM

The following personages appear in other stories of the Human Comedy.

Baudoyer, Isidore The Government Clerks The Middle Classes

Berthier (Parisian notary) Cousin Betty

Berthier, Madame The Muse of the Department

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Glinda of Oz by L. Frank Baum:

filled with a floating mist that was as dense as smoke. Nothing in the valley was visible except these rolling waves of mist, but beyond, on the other side, rose a grassy hill that appeared quite beautiful.

"Well," said Dorothy, "what are we to do, Ozma? Walk down into that thick fog, an' prob'bly get lost in it, or wait till it clears away?"

"I'm not sure it will clear away, however long we wait," replied Ozma, doubtfully. "If we wish to get on, I think we must venture into the mist."

"But we can't see where we're going, or what we're


Glinda of Oz
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Wife, et al by Anton Chekhov:

incoherent, cleared his throat, and walked away.

"Come! isn't that charming?" laughed my uncle. "Just look! he has made his little flourish and thinks he's a very clever fellow! I do like that -- upon my soul I do! What youthful aplomb, what life in that foolish flourish! And what boy is this?" he asked, suddenly turning and looking at me.

"That is my Andryushenka," my mother introduced me, flushing crimson. "My consolation. . ."

I made a scrape with my foot on the sand and dropped a low bow.

"A fine fellow . . . a fine fellow . . ." muttered my uncle, taking his hand from my lips and stroking me on the head. "So