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Today's Stichomancy for William Shakespeare

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Margret Howth: A Story of To-day by Rebecca Harding Davis:

morning!'" Neither I nor you have the prophet's vision to see the age as its meaning stands written before God. Those who shall live when we are dead may tell their children, perhaps, how, out of anguish and darkness such as the world seldom has borne, the enduring morning evolved of the true world and the true man. It is not clear to us. Hands wet with a brother's blood for the Right, a slavery of intolerance, the hackneyed cant of men, or the blood-thirstiness of women, utter no prophecy to us of the great To-Morrow of content and right that holds the world. Yet the To-Morrow is there; if God lives, it is there. The voice of the meek Nazarene, which we have deafened down as


Margret Howth: A Story of To-day
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Daisy Miller by Henry James:

his knickerbockers, depositing the other as promptly in another place. He poked his alpenstock, lance-fashion, into Winterbourne's bench and tried to crack the lump of sugar with his teeth.

"Oh, blazes; it's har-r-d!" he exclaimed, pronouncing the adjective in a peculiar manner.

Winterbourne had immediately perceived that he might have the honor of claiming him as a fellow countryman. "Take care you don't hurt your teeth," he said, paternally.

"I haven't got any teeth to hurt. They have all come out. I have only got seven teeth. My mother counted them last night, and one came out right afterward. She said she'd slap me

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Great Gatsby by F. Scott Fitzgerald:

chance visitors, all these official people who suddenly filled it. But, as they drew back the sheet and looked at Gatsby with unmoved eyes, his protest continued in my brain:

"Look here, old sport, you've got to get somebody for me. You've got to try hard. I can't go through this alone."

Some one started to ask me questions, but I broke away and going up-stairs looked hastily through the unlocked parts of his desk--he'd never told me definitely that his parents were dead. But there was nothing--only the picture of Dan Cody, a token of forgotten violence, staring down from the wall.

Next morning I sent the butler to New York with a letter to Wolfshiem,


The Great Gatsby
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Through the Looking-Glass by Lewis Carroll:

wonder if all the things move along with us?' thought poor puzzled Alice. And the Queen seemed to guess her thoughts, for she cried, `Faster! Don't try to talk!'

Not that Alice had any idea of doing THAT. She felt as if she would never be able to talk again, she was getting so much out of breath: and still the Queen cried `Faster! Faster!' and dragged her along. `Are we nearly there?' Alice managed to pant out at last.

`Nearly there!' the Queen repeated. `Why, we passed it ten minutes ago! Faster!' And they ran on for a time in silence, with the wind whistling in Alice's ears, and almost blowing her


Through the Looking-Glass