The first excerpt represents the past or something you must release, and is drawn from A Drama on the Seashore by Honore de Balzac: he were guarded by a troop of soldiers. He has never said one word
since he locked himself up in the open air in this way; he lives on
bread and water, which is brought to him every morning by his
brother's daughter, a little lass about twelve years old to whom he
has left his property, a pretty creature, gentle as a lamb, a nice
little girl, so pleasant. She has such blue eyes, long as THAT," he
added, marking a line on his thumb, "and hair like the cherubim. When
you ask her: 'Tell me, Perotte' (That's how we say Pierette in these
parts," he remarked, interrupting himself; "she is vowed to Saint
Pierre; Cambremer is named Pierre, and he was her godfather)--'Tell
me, Perotte, what does your uncle say to you?'--'He says nothing to
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The second excerpt represents the present or the deciding factor of the moment, and is drawn from Lesser Hippias by Plato: SOCRATES: And therefore you would be the most able to tell the truth about
these matters, would you not?
HIPPIAS: Yes, I should.
SOCRATES: And could you speak falsehoods about them equally well? I must
beg, Hippias, that you will answer me with the same frankness and
magnanimity which has hitherto characterized you. If a person were to ask
you what is the sum of 3 multiplied by 700, would not you be the best and
most consistent teller of a falsehood, having always the power of speaking
falsely as you have of speaking truly, about these same matters, if you
wanted to tell a falsehood, and not to answer truly? Would the ignorant
man be better able to tell a falsehood in matters of calculation than you
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The third excerpt represents the future or something you must embrace, and is drawn from The Chinese Boy and Girl by Isaac Taylor Headland: forehead, then touches the eye, nose, ear, mouth and chin
successively, as she repeats:
Knock at the door,
See a face,
Smell an odor,
Hear a voice,
Eat your dinner,
Pull your chin, or
Ke chih, ke chih.
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