| The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Intentions by Oscar Wilde: more one analyses people, the more all reasons for analysis
disappear. Sooner or later one comes to that dreadful universal
thing called human nature. Indeed, as any one who has ever worked
among the poor knows only too well, the brotherhood of man is no
mere poet's dream, it is a most depressing and humiliating reality;
and if a writer insists upon analysing the upper classes, he might
just as well write of match-girls and costermongers at once.'
However, my dear Cyril, I will not detain you any further just
here. I quite admit that modern novels have many good points. All
I insist on is that, as a class, they are quite unreadable.
CYRIL. That is certainly a very grave qualification, but I must
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The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Purse by Honore de Balzac: of the evening.
On the morrow the young painter felt the most ardent desire to
see Adelaide once more. If he had followed the call of his
passion, he would have gone to his neighbor's door at six in the
morning, when he went to his studio. However, he still was
reasonable enough to wait till the afternoon. But as soon as he
thought he could present himself to Madame de Rouville, he went
downstairs, rang, blushing like a girl, shyly asked Mademoiselle
Leseigneur, who came to let him in, to let him have the portrait
of the Baron.
"But come in," said Adelaide, who had no doubt heard him come
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| The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Macbeth by William Shakespeare: He hath Honour'd me of late, and I haue bought
Golden Opinions from all sorts of people,
Which would be worne now in their newest glosse,
Not cast aside so soone
La. Was the hope drunke,
Wherein you drest your selfe? Hath it slept since?
And wakes it now to looke so greene, and pale,
At what it did so freely? From this time,
Such I account thy loue. Art thou affear'd
To be the same in thine owne Act, and Valour,
As thou art in desire? Would'st thou haue that
 Macbeth |
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Beasts of Tarzan by Edgar Rice Burroughs: In one was a mechanism which resembled the works of a
small clock. There also was a little battery of two dry cells.
A wire ran from the clockwork to one of the poles of the
battery, and from the other pole through the partition into
the other compartment, a second wire returning directly to
the clockwork.
Whatever lay within the second compartment was not visible,
for a cover lay over it and appeared to be sealed in place
by asphaltum. In the bottom of the box, beside the clockwork,
lay a key, and this Paulvitch now withdrew and fitted
to the winding stem.
 The Beasts of Tarzan |