| The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Yates Pride by Mary E. Wilkins Freeman: of blue eyes for a second. Then Sophia spoke with authority,
because she was the only one of them all who had entered the
estate of matrimony, and had consequently obvious cognizance of
such matters.
"I think," said she, "that Eudora should be told that Harry
Lawton has come back and is boarding at the Wellwood Inn."
"You think," faltered Amelia, "that it is possible she might meet
him unexpectedly?"
"I certainly do think so. And she might show her feelings in a
way which she would ever afterward regret."
"You think, then, that she --"
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The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Memorabilia by Xenophon: a mistress. Does it not come to this, that every honest man is bound
to look upon self-restraint as the very corner-stone of virtue:[4]
which he should seek to lay down as the basis and foundation of his
soul? Without self-restraint who can lay any good lesson to heart or
practise it when learnt in any degree worth speaking of? Or, to put it
conversely, what slave of pleasure will not suffer degeneracy of soul
and body? By Hera,[5] well may every free man pray to be saved from
the service of such a slave; and well too may he who is in bondage to
such pleasures supplicate Heaven to send him good masters, seeing that
is the one hope of salvation left him."
[1] Lit. "a beautiful and brave possesion."
 The Memorabilia |
| The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Talisman by Walter Scott: Most of them had been suppressed since the Mohammedans had
reconquered Palestine, but many, purchasing connivance by
presents, or receiving it from the clemency or contempt of the
victors, still continued to observe in private the ritual to
which their vows had consecrated them. Yet, though Kenneth knew
this to be the case, the solemnity of the place and hour, the
surprise at the sudden appearance of these votaresses, and the
visionary manner in which they moved past him, had such influence
on his imagination that he could scarce conceive that the fair
procession which he beheld was formed of creatures of this world,
so much did they resemble a choir of supernatural beings,
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The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Cousin Betty by Honore de Balzac: Unluckily, on his way from the Rue Plumet to his own house, to fetch
the securities, Crevel went along the Rue Vanneau, and he could not
resist going in to see his little Duchess. His face still bore an
agitated expression.
He went straight into Valerie's room, who was having her hair dressed.
She looked at Crevel in her glass, and, like every woman of that sort,
was annoyed, before she knew anything about it, to see that he was
moved by some strong feeling of which she was not the cause.
"What is the matter, my dear?" said she. "Is that a face to bring in
to your little Duchess? I will not be your Duchess any more, monsieur,
no more than I will be your 'little duck,' you old monster."
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