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Today's Stichomancy for Woody Allen

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Charmides and Other Poems by Oscar Wilde:

Which to no lover will Athena show, The grand cool flanks, the crescent thighs, the bossy hills of snow.

Those who have never known a lover's sin Let them not read my ditty, it will be To their dull ears so musicless and thin That they will have no joy of it, but ye To whose wan cheeks now creeps the lingering smile, Ye who have learned who Eros is, - O listen yet awhile.

A little space he let his greedy eyes Rest on the burnished image, till mere sight

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Little Rivers by Henry van Dyke:

The pink fishing license did not seem to be of much use. Its exhibition was demanded only twice. Once a river guardian, who was walking down the stream with a Belgian Baron and encouraging him to continue fishing, climbed out to me on the end of a long embankment, and with proper apologies begged to be favoured with a view of my document. It turned out that his request was a favour to me, for it discovered the fact that I had left my fly-book, with the pink card in it, beside an old mill, a quarter of a mile up the stream.

Another time I was sitting beside the road, trying to get out of a very long, wet, awkward pair of wading-stockings, an occupation

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Apology by Plato:

of the 'accustomed manner' in which Socrates spoke in 'the agora and among the tables of the money-changers.' The allusion in the Crito may, perhaps, be adduced as a further evidence of the literal accuracy of some parts. But in the main it must be regarded as the ideal of Socrates, according to Plato's conception of him, appearing in the greatest and most public scene of his life, and in the height of his triumph, when he is weakest, and yet his mastery over mankind is greatest, and his habitual irony acquires a new meaning and a sort of tragic pathos in the face of death. The facts of his life are summed up, and the features of his character are brought out as if by accident in the course of the defence. The conversational manner, the seeming want of arrangement, the ironical simplicity, are found to result

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Complete Poems of Longfellow by Henry Wadsworth Longfellow:

Is it a phantom of air,--a bodiless, spectral illusion? Is it a ghost from the grave, that has come to forbid the betrothal? Long had it stood there unseen, a guest uninvited, unwelcomed; Over its clouded eyes there had passed at times an expression Softening the gloom and revealing the warm heart hidden beneath them, As when across the sky the driving rack of the rain-cloud Grows for a moment thin, and betrays the sun by its brightness. Once it had lifted its hand, and moved its lips, but was silent, As if an iron will had mastered the fleeting intention.