The first excerpt represents the past or something you must release, and is drawn from The Lock and Key Library by Julian Hawthorne, Ed.: pausing, "listen to the wretch who is raving near you, and whose
blasphemies might make a demon start.--He was once an eminent
puritanical preacher. Half the day he imagines himself in a
pulpit, denouncing damnation against Papists, Arminians, and even
Sublapsarians (he being a Supra-lapsarian himself). He foams, he
writhes, he gnashes his teeth; you would imagine him in the hell he
was painting, and that the fire and brimstone he is so lavish of
were actually exhaling from his jaws. At night his creed
retaliates on him; he believes himself one of the reprobates he has
been all day denouncing, and curses God for the very decree he has
all day been glorifying Him for.
|
The second excerpt represents the present or the deciding factor of the moment, and is drawn from Misalliance by George Bernard Shaw: TARLETON. Youre right: a vulgar question. To a man like me,
everybody is the first. Life renews itself.
LINA. The youngest child is the sweetest.
TARLETON. Dont probe too deep, Lina. It hurts.
LINA. You must get out of the habit of thinking that these things
matter so much. It's linendraperish.
TARLETON. Youre quite right. Ive often said so. All the same, it
does matter; for I want to cry. _[He buries his face in his arms on
the work-table and sobs]._
LINA. _[going to him]_ 0 la la! _[She slaps him vigorously, but not
unkindly, on the shoulder]._ Courage, old pal, courage! Have you a
|
The third excerpt represents the future or something you must embrace, and is drawn from Gambara by Honore de Balzac: "Can you not hear the cries of the innocent dragged into this infernal
drama,--a persecuted creature? '/Non, non/,' " sang Gambara, who made
the consumptive piano sing. "His native land and tender emotions have
come back to him; his childhood and its memories have blossomed anew
in Robert's heart. And now his mother's shade rises up, bringing with
it soothing religious thoughts. It is religion that lives in that
beautiful song in E major, with its wonderful harmonic and melodic
progression in the words:
"Car dans les cieux, comme sur la terre,
Sa mere va prier pour lui.
"Here the struggle begins between the unseen powers and the only human
 Gambara |