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Today's Stichomancy for Wyatt Earp

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Flatland: A Romance of Many Dimensions by Edwin A. Abbot:

in the remotest ages. Some private individual -- a Pentagon whose name is variously reported -- having casually discovered the constituents of the simpler colours and a rudimentary method of painting, is said to have begun decorating first his house, then his slaves, then his Father, his Sons, and Grandsons, lastly himself. The convenience as well as the beauty of the results commended themselves to all. Wherever Chromatistes, -- for by that name the most trustworthy authorities concur in calling him, -- turned his variegated frame, there he at once excited attention, and attracted respect. No one now needed to "feel" him; no one mistook his front for his back;


Flatland: A Romance of Many Dimensions
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Iron Puddler by James J. Davis:

terrific muscular exertion handling white-hot iron in a mill like this. You haven't got the muscles to do it, and I doubt if you've got the heart. You can not know the condition a man is in when he hits his hardest lick here. But they know, and I know. Some of the men feel they can't drink water at that time. My pal tells me that his stomach rejects it; his throat seems to collapse as he gulps it. But beer he can drink and it eases him. The alcohol in beer is a blessing at that time. It soothes his laboring stomach until the water can get into his system and quench the man's thirst. Iron workers in the Old World have used malt beverages for generations. Why take away the other man's pleasure if it

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Anne of Green Gables by Lucy Maud Montgomery:

of the big, handsome lady near her? And how poor her one wee white rose must look beside all the hothouse flowers the others wore! Anne laid her hat and jacket away, and shrank miserably into a corner. She wished herself back in the white room at Green Gables.

It was still worse on the platform of the big concert hall of the hotel, where she presently found herself. The electric lights dazzled her eyes, the perfume and hum bewildered her. She wished she were sitting down in the audience with Diana and Jane, who seemed to be having a splendid time away at the back. She was wedged in between a stout lady in pink silk and a tall, scornful-looking girl in a white-lace dress. The stout lady


Anne of Green Gables
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Apology by Xenophon:

converges."[18]

[16] {te tou logou episkepsei}. Cf. Plat. "Rep." 456 C.

[17] Or, if {emin}, transl. "we all were for thinking that the main thing was."

[18] Or, "that sink into which a confluent stream of evil humours discharge most incompatible with gaiety of mind." Schneid. conj. {eremon} sc. {geras}.

"No," he added, "God knows I shall display no ardent zeal to bring that about.[19] On the contrary, if by proclaiming all the blessings which I owe to god and men; if, by blazoning forth the opinion which I entertain with regard to myself, I end by wearying the court, even so


The Apology