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Today's Stichomancy for Yasser Arafat

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Great God Pan by Arthur Machen:

labyrinth of Daedalus, and began to talk in an indifferent voice of the more pleasant incidents and adventures of the season.

"That Mrs. Beaumont," he said, "of whom we were speaking, is a great success; she has taken London almost by storm. I met her the other night at Fulham's; she is really a remarkable woman."

"You have met Mrs. Beaumont?"

"Yes; she had quite a court around her. She would be called very handsome, I suppose, and yet there is something about her face which I didn't like. The features are exquisite, but the expression is strange. And all the time I was looking


The Great God Pan
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from In the South Seas by Robert Louis Stevenson:

braves; and a letter of warning coming at the same time to Mr. Stewart, he and his Chinamen took refuge with the Protestant missionary in Atuona. That night the store was gutted, and the bodies cast in a pit and covered with leaves. Three days later the schooner had come in; and things appearing quieter, Mr. Stewart and the captain landed in Taahauku to compute the damage and to view the grave, which was already indicated by the stench. While they were so employed, a party of Moipu's young men, decked with red flannel to indicate martial sentiments, came over the hills from Atuona, dug up the bodies, washed them in the river, and carried them away on sticks. That night the feast began.

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Pool of Blood in the Pastor's Study by Grace Isabel Colbron and Augusta Groner:

strength of will possessed by this man."

"And what is the name of this invaluable attendant?" asked Muller with a strange smile which the doctor took to be slightly ironical.

"Gyuri Kovacz. You are amused at my enthusiasm? But consider my position here. I am an old man and have never been a strong man. At my age I would not have strength enough to force that little woman there - she thinks herself possessed and is quite cranky at times - to go to her own room when she doesn't want to. And do you see that man over there in the blue blouse? He is an excellent gardener but he believes himself to be Napoleon, and when he has his acute attacks I would be helpless to control him were it not

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Arrow of Gold by Joseph Conrad:

of being done on purpose because almost instantly another: "Beloved!" louder, more agonized if possible, got into the room and, yes, went home to my heart. It was followed without any transition, preparation, or warning, by a positively bellowed: "Speak, perjured beast!" which I felt pass in a thrill right through Dona Rita like an electric shock, leaving her as motionless as before.

Till he shook the door handle, which he did immediately afterwards, I wasn't certain through which door he had spoken. The two doors (in different walls) were rather near each other. It was as I expected. He was in the fencing-room, thoroughly aroused, his


The Arrow of Gold