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Today's Stichomancy for Yoshitaka Amano

The first excerpt represents the past or something you must release, and is drawn from The Forged Coupon by Leo Tolstoy:

pied two hours, so by the time I went out it was dawn. It was regular carnival weather--foggy, and the road full of water-soaked snow just melt- ing, and water dripping from the eaves. Varin- ka's family lived on the edge of town near a large field, one end of which was a parade ground: at the other end was a boarding-school for young ladies. I passed through our empty little street and came to the main thoroughfare, where I met pedestrians and sledges laden with wood, the run- ners grating the road. The horses swung with


The Forged Coupon
The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Two Brothers by Honore de Balzac:

"They say that Brazier, when he is drunk, boasts in Vatan that he cheated him," cried one of those who always believed the worst of people.

"Good heavens! neighbor; what won't they say at Issoudun?"

From 1800 to 1805, that is, for five years, the doctor enjoyed all the pleasures of educating Flore without the annoyances which the ambitions and pretensions of Mademoiselle de Romans inflicted, it is said, on Louis le Bien-Aime. The little Rabouilleuse was so satisfied when she compared the life she led at the doctor's with that she would have led at her uncle Brazier's, that she yielded no doubt to the exactions of her master as if she had been an Eastern slave. With due

The third excerpt represents the future or something you must embrace, and is drawn from Dawn O'Hara, The Girl Who Laughed by Edna Ferber:

MOSTLY EGGS

Oh, but it was clean, and sweet, and wonderfully still, that rose-and-white room at Norah's! No street cars to tear at one's nerves with grinding brakes and clanging bells; no tramping of restless feet on the concrete all through the long, noisy hours; no shrieking midnight joy-riders; not one of the hundred sounds which make night hideous in the city. What bliss to lie there, hour after hour, in a delicious half-waking, half-sleeping, wholly exquisite stupor, only rousing myself to swallow egg-nogg No. 426, and then to flop back