Today's Stichomancy for Arnold Schwarzenegger

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Beyond Good and Evil by Friedrich Nietzsche:

subtle minds. It seems that the hundred-times-refuted theory of the "free will" owes its persistence to this charm alone; some one is always appearing who feels himself strong enough to refute it.

19. Philosophers are accustomed to speak of the will as though it were the best-known thing in the world; indeed, Schopenhauer has given us to understand that the will alone is really known to us, absolutely and completely known, without deduction or addition. But it again and again seems to me that in this case Schopenhauer also only did what philosophers are in the habit of doing-he seems to have adopted a POPULAR PREJUDICE and exaggerated it.

Beyond Good and Evil

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Country of the Pointed Firs by Sarah Orne Jewett:

was informed; she slipped away as if she were glad of the opportunity."

I thought of the Countess of Carberry, and felt that history repeated itself.

"She was one of the old stock," continued Captain Littlepage, with touching sincerity. "She was very much looked up to in this town, and will be missed."

I wondered, as I looked at him, if he had sprung from a line of ministers; he had the refinement of look and air of command which are the heritage of the old ecclesiastical families of New England. But as Darwin says in his autobiography, "there is no

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Prince Otto by Robert Louis Stevenson:

unkind! O my Prince! O Otto! O pity me!' She was still clasping him; then she found his hand and covered it with kisses, and at this his head began to turn. 'O,' she cried again, 'I see it! O what a horror! It is because I am old, because I am no longer beautiful.' And she burst into a storm of sobs.

This was the COUP DE GRACE. Otto had now to comfort and compose her as he could, and before many words, the money was accepted. Between the woman and the weak man such was the inevitable end. Madame von Rosen instantly composed her sobs. She thanked him with a fluttering voice, and resumed her place upon the bench, at the far end from Otto. 'Now you see,' she said, 'why I bade you keep the

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Master of Ballantrae by Robert Louis Stevenson:

you can strike me."

"I will show you about that," says the Master, and went softly away.

"What will he do next, Mackellar?" cries Mr. Henry.

"Let me go away," said I. "My dear patron, let me go away; I am but the beginning of fresh sorrows."

"Would you leave me quite alone?" said he.

We were not long in suspense as to the nature of the new assault. Up to that hour the Master had played a very close game with Mrs. Henry; avoiding pointedly to be alone with her, which I took at the time for an effect of decency, but now think to be a most insidious