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Today's Stichomancy for Chow Yun Fat

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Street of Seven Stars by Mary Roberts Rinehart:

told her about Harmony. But as the recital went on she found herself rather touched. The story of Jimmy appealed to her. She scolded and lauded Peter in one breath, and what was more to the point, she promised to visit the house in the Siebensternstrasse the next day.

"So Anna Gates has gone home!" she reflected. "When?"

"This morning."

"Then the girl is there alone?"

"Yes. She is very young and inexperienced, and the boy--it's myocarditis. She's afraid to be left with him."

"Is she quite alone?"

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Sarrasine by Honore de Balzac:

depend, and whose good health is undoubtedly essential to the continuance of this family's income. I remember that I once heard a mesmerist, at Madame d'Espard's, undertake to prove by very specious historical deductions, that this old man, if put under the magnifying glass, would turn out to be the famous Balsamo, otherwise called Cagliostro. According to this modern alchemist, the Sicilian had escaped death, and amused himself making gold for his grandchildren. And the Bailli of Ferette declared that he recognized in this extraordinary personage the Comte de Saint-Germain."

Such nonsense as this, put forth with the assumption of superior cleverness, with the air of raillery, which in our day characterize a

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Life in the Iron-Mills by Rebecca Davis:

Thought he came for curiosity, like. After he was gone, thought Wolfe was remarkable quiet, and went into his cell. Found him very low; bed all bloody. Doctor said he had been bleeding at the lungs. He was as weak as a cat; yet if ye'll b'lieve me, he tried to get a-past me and get out. I just carried him like a baby, and threw him on the pallet. Three days after, he tried it again: that time reached the wall. Lord help you! he fought like a tiger,--giv' some terrible blows. Fightin' for life, you see; for he can't live long, shut up in the stone crib down yonder. Got a death-cough now. 'T took two of us to bring him down that day; so I just put the irons on his feet. There he


Life in the Iron-Mills
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Middlemarch by George Eliot:

in the opinion of every one connected with her. She felt to the full all the imperativeness of the motives which urged Will's conduct. How could he dream of her defying the barrier that her husband had placed between them?--how could she ever say to herself that she would defy it?

Will's certainty as the carriage grew smaller in the distance, had much more bitterness in it. Very slight matters were enough to gall him in his sensitive mood, and the sight of Dorothea driving past him while he felt himself plodding along as a poor devil seeking a position in a world which in his present temper offered him little that he coveted, made his conduct seem a mere


Middlemarch