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Today's Stichomancy for David Boreanaz

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Ferragus by Honore de Balzac:

left the house where you went. But a woman can leave her own home for many innocent purposes, even after she has told her husband that she did not mean to go out. There are so many reasons for changing our plans! Caprices, whims, are they not your right? Women are not required to be consistent with themselves. You had forgotten something,--a service to render, a visit, some kind action. But nothing hinders a woman from telling her husband what she does. Can we ever blush on the breast of a friend? It is not a jealous husband who speaks to you, my Clemence; it is your lover, your friend, your brother." He flung himself passionately at her feet. "Speak, not to justify yourself, but to calm my horrible sufferings. I know that you


Ferragus
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Tales and Fantasies by Robert Louis Stevenson:

hotel where Alan was almost certain to be found; and the temptation proved too strong. He entered the billiard-room, and was instantly greeted by his friend, cue in hand.

'Nicholson,' said he, 'I want you to lend me a pound or two till Monday.'

'You've come to the right shop, haven't you?' returned John. 'I have twopence.'

'Nonsense,' said Alan. 'You can get some. Go and borrow at your tailor's; they all do it. Or I'll tell you what: pop your watch.'

'Oh, yes, I dare say,' said John. 'And how about my father?'

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Gods of Mars by Edgar Rice Burroughs:

which confronted me, and so I moved on down the corridor until the cold waters of Omean closed about me, and I swam on through utter blackness toward--what?

The instinct of self-preservation is strong even when one, unafraid and in the possession of his highest reasoning faculties, knows that death--positive and unalterable--lies just ahead. And so I swam slowly on, waiting for my head to touch the top of the corridor, which would mean that I had reached the limit of my flight and the point where I must sink for ever to an unmarked grave.

But to my surprise I ran against a blank wall before I


The Gods of Mars
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Faraday as a Discoverer by John Tyndall:

and he now turned to the counter to buy some cards as an excuse for our being there. He asked the woman her name--her predecessor's name-- his predecessor's name. 'That won't do,' he said, with good-humoured impatience; 'who was his predecessor?' 'Mr. Riebau,' she replied, and immediately added, as if suddenly recollecting herself, 'He, sir, was the master of Sir Charles Faraday.' 'Nonsense!' he responded, 'there is no such person.' Great was her delight when I told her the name of her visitor; but she assured me that as soon as she saw him running about the shop, she felt-though she did not know why--that it must be 'Sir Charles Faraday.'

Faraday did, as you know, accompany Davy to Rome: he was re-engaged