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Today's Stichomancy for Jerry Seinfeld

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Emma by Jane Austen:

I praised the fair lady too, and altogether sent him away very happy. If he had never esteemed my opinion before, he would have thought highly of me then; and, I dare say, left the house thinking me the best friend and counsellor man ever had. This happened the night before last. Now, as we may fairly suppose, he would not allow much time to pass before he spoke to the lady, and as he does not appear to have spoken yesterday, it is not unlikely that he should be at Mrs. Goddard's to-day; and she may be detained by a visitor, without thinking him at all a tiresome wretch."

"Pray, Mr. Knightley," said Emma, who had been smiling to herself through a great part of this speech, "how do you know that Mr. Martin


Emma
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Island Nights' Entertainments by Robert Louis Stevenson:

where I was hurt, or whether I was hurt or not, but turned right over on my face to crawl after my weapon. Unless you have tried to get about with a smashed leg you don't know what pain is, and I let out a howl like a bullock's.

This was the unluckiest noise that ever I made in my life. Up to then Uma had stuck to her tree like a sensible woman, knowing she would be only in the way; but as soon as she heard me sing out, she ran forward. The Winchester cracked again, and down she went.

I had sat up, leg and all, to stop her; but when I saw her tumble I clapped down again where I was, lay still, and felt the handle of my knife. I had been scurried and put out before. No more of that

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Heritage of the Desert by Zane Grey:

Snap Naab's cream pinto, a bay, and a giant horse of mottled white attracted him most.

"Our best stock is out on the range," said Naab. "The white is Charger, my saddle-horse. When he was a yearling he got away and ran wild for three years. But we caught him. He's a weight-carrier and he can run some. You're fond of a horse--I can see that."

"Yes," returned Hare, "but I--I'll never ride again." He said it brightly, smiling the while; still the look in his eyes belied the cheerful resignation.

"I've not the gift of revelation, yet I seem to see you on a big gray horse with a shining mane." Naab appeared to be gazing far away.


The Heritage of the Desert
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Familiar Studies of Men and Books by Robert Louis Stevenson:

his deepest; it did not colour one word that he wrote; and the Diary, for as long as he kept it, remained what it was when he began, a private pleasure for himself. It was his bosom secret; it added a zest to all his pleasures; he lived in and for it, and might well write these solemn words, when he closed that confidant for ever: "And so I betake myself to that course which is almost as much as to see myself go into the grave; for which, and all the discomforts that will accompany my being blind, the good God prepare me."

A LIBERAL GENIUS.

Pepys spent part of a certain winter Sunday, when he had