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Today's Stichomancy for Jessica Biel

The first excerpt represents the past or something you must release, and is drawn from The Soul of the Far East by Percival Lowell:

to the evolution of organic life: that the degree of individualization of a people is the self-recorded measure of its place in the great march of mind.

All life, whether organic or inorganic, consists, as we know, in a change from a state of simple homogeneity to one of complex heterogeneity. The process is apparently the same in a nebula or a brachiopod, although much more intricate in the latter. The immediate force which works this change, the life principle of things, is, in the case of organic beings, a subtle something which we call spontaneous variation. What this mysterious impulse may be is beyond our present powers of recognition. As yet, the ultimates

The second excerpt represents the present or the deciding factor of the moment, and is drawn from Eugenie Grandet by Honore de Balzac:

"I shall decamp," he said; "the house is not habitable. A mother and daughter talking and arguing like that! Broooouh! Pouah! A fine New Year's present you've made me, Eugenie," he called out. "Yes, yes, cry away! What you've done will bring you remorse, do you hear? What's the good of taking the sacrament six times every three months, if you give away your father's gold secretly to an idle fellow who'll eat your heart out when you've nothing else to give him? You'll find out some day what your Charles is worth, with his morocco boots and supercilious airs. He has got neither heart nor soul if he dared to carry off a young girl's treasure without the consent of her parents."

When the street-door was shut, Eugenie came out of her room and went


Eugenie Grandet
The third excerpt represents the future or something you must embrace, and is drawn from Amy Foster by Joseph Conrad:

commendation. Her short-sighted eyes would swim with pity for a poor mouse in a trap, and she had been seen once by some boys on her knees in the wet grass helping a toad in difficulties. If it's true, as some German fellow has said, that without phos- phorus there is no thought, it is still more true that there is no kindness of heart without a certain amount of imagination. She had some. She had even more than is necessary to understand suffer- ing and to be moved by pity. She fell in love un- der circumstances that leave no room for doubt in


Amy Foster