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Today's Stichomancy for Michael Moore

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Burning Daylight by Jack London:

Daylight was on trail next morning at six o'clock. By eleven he was at the foot of White Horse, and that night saw him camped beyond the Box Canon, the last bad river-stretch behind him, the string of lakes before him.

There was no let up in his pace. Twelve hours a day, six in the twilight, and six in the dark, they toiled on the trail. Three hours were consumed in cooking, repairing harnesses, and making and breaking camp, and the remaining nine hours dogs and men slept as if dead. The iron strength of Kama broke. Day by day the terrific toil sapped him. Day by day he consumed more of his reserves of strength. He became slower of movement, the

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Awakening & Selected Short Stories by Kate Chopin:

cap, was urging her to return to her bedroom.

"There is no use, there is no use," she said at once to Edna. "We must get rid of Mandelet; he is getting too old and careless. He said he would be here at half-past seven; now it must be eight. See what time it is, Josephine."

The woman was possessed of a cheerful nature, and refused to take any situation too seriously, especially a situation withwhich she was so familiar. She urged Madame to have courage and patience. But Madame only set her teeth hard into her under lip, and Edna saw the sweat gather in beads on her white forehead. After a moment or two she uttered


Awakening & Selected Short Stories
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Menexenus by Plato:

memorial and a crown of noble actions, which are given to the doers of them by the hearers. A word is needed which will duly praise the dead and gently admonish the living, exhorting the brethren and descendants of the departed to imitate their virtue, and consoling their fathers and mothers and the survivors, if any, who may chance to be alive of the previous generation. What sort of a word will this be, and how shall we rightly begin the praises of these brave men? In their life they rejoiced their own friends with their valour, and their death they gave in exchange for the salvation of the living. And I think that we should praise them in the order in which nature made them good, for they were good because they were sprung from good fathers. Wherefore let us first of all praise the

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Man against the Sky by Edwin Arlington Robinson:

What now's a-rampage in him, and exhibit, With a decent half-allegiance to the ages An earnest of at least a casual eye Turned once on what he owes to Gutenberg, And to the fealty of more centuries Than are as yet a picture in our vision. "There's time enough, -- I'll do it when I'm old, And we're immortal men," he says to that; And then he says to me, "Ben, what's `immortal'? Think you by any force of ordination It may be nothing of a sort more noisy