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Today's Stichomancy for Robin Williams

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Black Beauty by Anna Sewell:

as cheerfully and willingly for their young drivers as I work for Jerry. It may be hard work sometimes, but a friend's hand and voice make it easy.

There was a young coster-boy who came up our street with greens and potatoes; he had an old pony, not very handsome, but the cheerfullest and pluckiest little thing I ever saw, and to see how fond those two were of each other was a treat. The pony followed his master like a dog, and when he got into his cart would trot off without a whip or a word, and rattle down the street as merrily as if he had come out of the queen's stables. Jerry liked the boy, and called him "Prince Charlie", for he said he would make a king of drivers some day.

There was an old man, too, who used to come up our street with

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Cratylus by Plato:

them has either perished wholly, or is only doubtfully recovered by the efforts of modern philology. The verses have been repeated as a chant or part of a ritual, but they have had no relation to ordinary life or speech. (2) The invention of writing again is commonly attributed to a particular epoch, and we are apt to think that such an inestimable gift would have immediately been diffused over a whole country. But it may have taken a long time to perfect the art of writing, and another long period may have elapsed before it came into common use. Its influence on language has been increased ten, twenty or one hundred fold by the invention of printing.

Before the growth of poetry or the invention of writing, languages were only dialects. So they continued to be in parts of the country in which

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Chance by Joseph Conrad:

to have known Miss de Barral--whom I had seen twice (altogether about sixty minutes) and with whom I had exchanged about sixty words--from the cradle so to speak. And perhaps, I thought, looking down at Mrs. Fyne (I had remained standing) perhaps she thinks that this ought to be enough for a sagacious assent.

She kept silent; and I looking at her with polite expectation, went on addressing her mentally in a mood of familiar approval which would have astonished her had it been audible: You my dear at any rate are a sincere woman . . . "

"I call a woman sincere," Marlow began again after giving me a cigar and lighting one himself, "I call a woman sincere when she


Chance
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Theaetetus by Plato:

the same with our own.

c. But the knowledge of the mind is not to any great extent derived from the observation of the individual by himself. It is the growing consciousness of the human race, embodied in language, acknowledged by experience, and corrected from time to time by the influence of literature and philosophy. A great, perhaps the most important, part of it is to be found in early Greek thought. In the Theaetetus of Plato it has not yet become fixed: we are still stumbling on the threshold. In Aristotle the process is more nearly completed, and has gained innumerable abstractions, of which many have had to be thrown away because relative only to the controversies of the time. In the interval between Thales and Aristotle