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Today's Stichomancy for Sean Connery

The first excerpt represents the past or something you must release, and is drawn from An Occurrence at Owl Creek Bridge by Ambrose Bierce:

the prismatic colors in all the dewdrops upon a million blades of grass. The humming of the gnats that danced above the eddies of the stream, the beating of the dragon flies' wings, the strokes of the water spiders' legs, like oars which had lifted their boat -- all these made audible music. A fish slid along beneath his eyes and he heard the rush of its body parting the water.

He had come to the surface facing down the stream; in a moment the visible world seemed to wheel slowly round, himself the pivotal point, and he saw the bridge, the fort, the soldiers upon the bridge, the captain, the sergeant, the


An Occurrence at Owl Creek Bridge
The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Monster Men by Edgar Rice Burroughs:

"Where is Miss Maxon?"

"Big blute, he catchem Linee. Tly kill Sing. Head hit tlee. No see any more. Wakee up--all glone," moaned the Chinaman as he tried to gain his feet.

"Which way did he take her?" urged von Horn.

Sing's quick eyes scanned the surrounding jungle, and in a moment, staggering to his feet, he cried, "Look see, klick! Foot plint!" and ran, weak and reeling drunkenly, along the broad trail made by the giant creature and its prey.

Von Horn and Professor Maxon followed closely in


The Monster Men
The third excerpt represents the future or something you must embrace, and is drawn from The Lesser Bourgeoisie by Honore de Balzac:

ladies. As for the other, who seemed to be in the tow of her dressy companion, she was short, squat, and high-colored, and wore a bonnet, shawl, and gown which a practised eye would at once have recognized as second hand. Mothers of actresses are always clothed by this very economical process. Their garments, condemned to the service of two generations, reverse the order of things, and go from descendants to ancestors.

Advancing two chairs, la Peyrade inquired, "To whom have I the honor of speaking?"

"Monsieur," said the younger visitor, "I am a dramatic artist, and as I am about to make my first appearance in this quarter, I allow myself