Today's Tarot for Robert Redford
| The Three Fates spread is an exceptionally popular way to gain insight into the emerging arc of the past, present, and future. The William Blake Tarot explores the mystical vision and artistry of the renowned English painter and poet. Through rich interpretations focused on creative undertakings, it has long been the deck of choice for artists, writers, musicians, and thinkers. For more information about this deck, or to buy your own personal copy, go to www.blaketarot.com.
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 | The left card represents an important element of the past. Seven of Painting (Patience): Waiting for the situation to develop or ripen. Awaiting the results of your efforts. Calling for material assistance or reinforcements. Experiencing tests and trials in the process of manifestation. Assessing your resources. In the creative process: Straining to speed things up only produces anxiety, so get a grip and wait for everything to unfold according to its own timing. |
 | The middle card represents a deciding element of the present. Eight of Poetry (Swiftness): "Time is the mercy of Eternity: / without Time's swiftness Which is the swiftest of all things: / all were eternal torment". Vigorous and imaginative assertion is strongly indicated. Experiencing the relativity of time. The speeding-up of events or gathering of energy. Falling in love, or being swept off your feet. Everything is up in the air or in process. Flux. Rapid communications across time and space. The Internet. Look for coincidences and serendipity at work. In the creative process: Transcend all illusions of time and space by using your imagination, which can take you anywhere at any time. |
 | The right card represents a critical element of the future. Sun, when reversed: Being blocked from imagination and inspiration, and trapped in old patterns. Failure to realize your personal goals. Despair. Separation from the joy of life. Being cut off from the Source, and abandoned by the Heavens. Darkness with no apparent end. Being trapped in the past. |
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